The Works of Shakespeare, Band 1at the University Press, 1957 - 56 Seiten |
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Seite xxxv
... edition will attempt some pro- visional definition of the ' copy ' for each of the original Shakespearian texts , in accordance with the foregoing principles . It will not always be possible , within the limits of his space , to give a ...
... edition will attempt some pro- visional definition of the ' copy ' for each of the original Shakespearian texts , in accordance with the foregoing principles . It will not always be possible , within the limits of his space , to give a ...
Seite xxxix
... edition is intended not for the Elizabethan actor but for the modern reader , and that a play - book is a very different thing from a moving audible pageant . In our opinion the almost complete absence of stage- directions in the ...
... edition is intended not for the Elizabethan actor but for the modern reader , and that a play - book is a very different thing from a moving audible pageant . In our opinion the almost complete absence of stage- directions in the ...
Seite 82
... edition is to bring new textual facts to light rather than to formulate theories , there will be no at- tempt here to frame a hypothetical history of the Tempest MS in order to explain the phenomena noted above . Uncertainty as to the ...
... edition is to bring new textual facts to light rather than to formulate theories , there will be no at- tempt here to frame a hypothetical history of the Tempest MS in order to explain the phenomena noted above . Uncertainty as to the ...
Inhalt
TITLEPAGE OF THE FIRST FOLIO FRONTISPIECE | vii |
TEXTUAL | xxix |
KING JAMES I TO FACE PAGE | xlv |
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Adrian Alonso Antonio Ariel awake Bad Quarto Ben Jonson bibliographical Boatswain bottle brave broken lines Caliban cave Ceres charms comma compositor copy daughter devil doth dramatic drowned Dryden Duke of Milan dukedom edition editor Elizabeth of Bohemia emendation Enter eyes father Ferdinand Folio foul garments give Gonzalo hand Hark hath hither honour i'th island Jonson Juno king king's kiss lord Love's Labour's Lost manuscript master Miranda misprint monster Naples o'er o'th old texts original passage pause play prince Princess printed prithee prompt-copy prose Prospero punctuation Quartos revision Romeo and Juliet scene Sebastian Shake Shakespeare Shakespeare wrote Shakespearian shalt ship sleep speak speare's speech spelling spirit stage-directions Stephano strange suggest sword Sycorax tell Tempest textual thee There's thine thing thou art thou beest thou hast Trinculo verse Winter's Tale word wrack