The Works of Charles Lamb: In Two Parts, Band 2C. and J. Ollier, 1818 |
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Seite 12
... pass for deep skill in the passions . : It is common for people to talk of Shakspeare's plays being so natural ; that every body can under- stand him . They are natural indeed , they are grounded deep in nature , so deep that the depth ...
... pass for deep skill in the passions . : It is common for people to talk of Shakspeare's plays being so natural ; that every body can under- stand him . They are natural indeed , they are grounded deep in nature , so deep that the depth ...
Seite 33
... pass away , And leave its dolorous mansions to the peering day . The Garden of Eden , with our first parents in it , is not more impossible to be shewn on a stage , than the Enchanted Isle , with its no less interest- ing and innocent ...
... pass away , And leave its dolorous mansions to the peering day . The Garden of Eden , with our first parents in it , is not more impossible to be shewn on a stage , than the Enchanted Isle , with its no less interest- ing and innocent ...
Seite 112
... pass over in silence what they do . That Hogarth did not draw the naked figure so well as Michael Angelo might be allowed , especially as " examples of the naked , " as Mr. Barry ac- knowledges , " rarely ( he might almost have said ...
... pass over in silence what they do . That Hogarth did not draw the naked figure so well as Michael Angelo might be allowed , especially as " examples of the naked , " as Mr. Barry ac- knowledges , " rarely ( he might almost have said ...
Seite 176
... pass over an infinite series of minor mor- tifications , to which this last and heaviest might well render me callous , behold me here , Mr. Edi- tor ! in the thirty - seventh year of my existence , ( the twelfth , reckoning from my re ...
... pass over an infinite series of minor mor- tifications , to which this last and heaviest might well render me callous , behold me here , Mr. Edi- tor ! in the thirty - seventh year of my existence , ( the twelfth , reckoning from my re ...
Seite 178
... pass current in every street . But why mention them , when the politest authors have agreed in making use of this sub- ject as a source of the ridiculous ? Swift , and Pope , and Prior , are fond of recurring to it . Gay has built an ...
... pass current in every street . But why mention them , when the politest authors have agreed in making use of this sub- ject as a source of the ridiculous ? Swift , and Pope , and Prior , are fond of recurring to it . Gay has built an ...
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The Works of Charles Lamb, Vol. 2: Poems, Plays and Miscellaneous Essays ... Charles Lamb Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
1st Footman 1st Gentleman 1st Lady 1st Waiter 2d Footman 2d Gentleman 2d Lady 2d Waiter 4th Lady 5th Waiter acting appetite beauty Belvil better character countenance creature crime curiosity deformity delight express eye of mind face fancy feel genius Gin Lane give Hamlet hang heart Hogarth Hogsflesh honour horror human humour images imagination Industry and Idle innocence John Tomkins Landlord Lear less look Lord Madam Maid melancholy Melesinda Middleton mind mirth moral Mother Damnable nature ness never old lady Othello passion PERCY BYSSHE SHELLEY person PHILIP MASSINGER picture pity plate play pleasure poet poor Rake's Progress Reflector Satires scene seems sense servants Shakspeare shew shewn sion sort soul speak spectators stage suffer sweet Tamburlaine thing THOMAS MIDDLETON thought tion tragedy ture virtue WILLIAM ROWLEY Wither woman wonder
Beliebte Passagen
Seite 19 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Seite 142 - But man is a noble animal, splendid in ashes, and pompous in the grave, solemnizing nativities and deaths with equal lustre, nor omitting ceremonies of bravery in the infamy of his nature.
Seite 37 - Specimens of English Dramatic Poets who lived about the time of Shakspeare...
Seite 25 - The greatness of Lear is not in corporal dimension, but in intellectual : the explosions of his passion are terrible as a volcano : they are storms turning up and disclosing to the bottom that sea, his mind, with all its vast riches.
Seite 86 - Doctors, and their servants (so that the remnant of the body would not hold out a bone amongst so many hands), take what was left out of the grave, and burnt them to ashes, and cast them into Swift, a neighbouring brook, running hard by. Thus this brook...
Seite 64 - He would have made a great epic poet, if indeed he has not abundantly shown himself to be one ; for his Homer is not so properly a translation as the stories of Achilles and Ulysses re-written.
Seite 26 - What gesture shall we appropriate to this ? What has the voice or the eye to do with such things ? But the play is beyond all art, as the tamperings with it shew : it is too hard and stony : it must have love-scenes, and a happy ending.
Seite 22 - The truth is, the characters of Shakspeare are so much the objects of meditation rather than of interest or curiosity as to their actions, that while we are reading any of his great criminal characters, — Macbeth, Richard, even lago, — we think not so much of the crimes which they commit, as of the ambition, the aspiring spirit, the intellectual activity, which prompts them to overleap these moral fences.
Seite 183 - I am no way facetious, nor disposed for the mirth and galliardize of company; yet in one dream I can compose a whole comedy, behold the action, apprehend the jests, and laugh myself awake at the conceits thereof.
Seite 4 - But such is the instantaneous nature of the impressions which we take in at the eye and ear at a playhouse, compared with the slow apprehension often-times of the understanding in reading, that we are apt not only to sink the play-writer in the consideration which we pay to the actor, but even to identify in our minds in a perverse manner the actor with the character which he represents. It is difficult for a frequent play-goer to disembarrass the idea of Hamlet from the person and voice of Mr K[emble]....