Shakespeare and His Critics

acted action admirable appear audience beauty become better called character Coleridge comedy criticism death dramatic effect elements Elizabethan English excellence expression eyes fact feeling followed force French genius give given Hamlet hand heart Henry Holinshed human imagery images imagination interest John Johnson judgment kind King language Lear least less light lines living look Macbeth means Measure merely mind moral nature never night object once original Othello passages passed passion performance perhaps persons Plautus play plot poems poet poetic poetry present produced published reader reason Richard rules scene seems sense Shake Shakespeare single sometimes speak speech spirit stage story theatre things thought tragedy true truth turn understanding unity verse whole writing written wrote