Shakespearean CriticismCengage Gale, 2002 - 432 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Seite 11
... social unit is formed on the stage , and the moment that this social unit crystalizes is the moment of the comic resolution . In the last scene , when the dramatist usually tries to get all his characters on the stage at once , the ...
... social unit is formed on the stage , and the moment that this social unit crystalizes is the moment of the comic resolution . In the last scene , when the dramatist usually tries to get all his characters on the stage at once , the ...
Seite 73
... social construct , chastity is the definitive virtue not because scripture mandates it but because secular law prescribes it as a remedy for the diseased state . The play presents a society in which the health of the nation and the ...
... social construct , chastity is the definitive virtue not because scripture mandates it but because secular law prescribes it as a remedy for the diseased state . The play presents a society in which the health of the nation and the ...
Seite 382
... social action Sonnets 48 : 352 ; 62 : 159 social and moral corruption King Lear 2 : 116 , 133 , 174 , 177 , 241 , 271 ; 22 : 227 ; 31 : 84 , 92 ; 46 : 269 ; 61 : 160 social and political context All's Well That Ends Well 13 : 66 ; 22 ...
... social action Sonnets 48 : 352 ; 62 : 159 social and moral corruption King Lear 2 : 116 , 133 , 174 , 177 , 241 , 271 ; 22 : 227 ; 31 : 84 , 92 ; 46 : 269 ; 61 : 160 social and political context All's Well That Ends Well 13 : 66 ; 22 ...
Inhalt
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Urheberrecht | |
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action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young