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" Nor then forget that Chamber of the Dead, Where the gigantic shapes of Night and Day, Turned into stone, rest everlastingly; • Yet still are breathing, and shed round at noon A two-fold influence — only to be felt — A light, a darkness, mingling... "
Memoirs of Antonio Canova: With a Critical Analysis of His Works, and an ... - Seite 71
von John Smythe Memes - 1825 - 578 Seiten
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Italy, a poem [by S.Rogers].

Samuel Rogers - 1822 - 178 Seiten
...how toilsome The going up and down another's stairs. \/' Nor then forget that Chamber of the Dead, rr Where the gigantic forms of Night and Day, Turned into stone, rest everlastingly; ihsfr'. Yet still are breathing, and shed round at noon A two-fold influence — only to be felt —...
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Italy: A Poem, Band 1

Samuel Rogers - 1823 - 218 Seiten
...and how toilsome The going up and down another's stairs. Nor then forget that Chamber of the Dead, Where the gigantic forms of Night and Day, Turned...breathing, and shed round at noon A two-fold influence — only to be felt — A light, a darkness, mingling each with each ; Both and yet neither. There,...
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An Autumn in Italy: Being a Personal Narrative of a Tour in the Austrian ...

J. D. Sinclair - 1829 - 366 Seiten
...personifying in the one instance Dawn and Twitiyhl, in the other Night and Day. " — gigantic forms—- Turned into stone, rest everlastingly, Yet still are...breathing, and shed round at noon A twofold influence. These monuments occupy the two sides of the chapel right and left of the altar, opposite to which is...
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The Poetical Works of Rogers, Campbell, J. Montgomery, Lamb, and Kirke White ...

Samuel Rogers - 1829 - 520 Seiten
...stair«. Nor tben forget that Chamber of the Dead(&o), Where the gigantic forms of Night and Day, Turn'd into stone, rest everlastingly, Yet still are breathing; and shed round at noon A twofold influence — only to be felt — A light, a darkness, mingling each with each ; Both and yet neither. There,...
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An Autumn in Italy: Being a Personal Narrative of a Tour in the Austrian ...

J. D. Sinclair - 1829 - 352 Seiten
...personifying in the one instance Dawn and Twilight, in the other Night and Day. " gigantic formsTurned into stone, rest everlastingly, Yet still are breathing, and shed round at noon A twofold influence. These monuments occupy the two sides of the chapel right and left of the altar, opposite to which is...
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Italy, a Poem

Samuel Rogers - 1830 - 308 Seiten
...up and down another's stairs, f Nor then forget that Chamber of the Dead, Where the gigantic shapes of Night and Day, Turned into stone, rest everlastingly...breathing, and shed round at noon A two-fold influence — only to be felt — A light, a darkness, mingling each with each ; Both and yet neither. There,...
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The Poetical Works of Rogers, Campbell, J. Montgomery, Lamb, and Kirke White

Samuel Rogers - 1830 - 514 Seiten
...stairs. Nor then forget that Chamber of the Dead, (80) Where the gigantic forms of Night and Day, Turn'd into stone, rest everlastingly, Yet still are breathing; and shed round at noon A two-fold influence—only to be felt — A light, a darkness, mingling each with each ; Both and yet neither....
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Description of a View of the City of Florence, and the Surrounding Country ...

Robert Burford - 1832 - 32 Seiten
...the tombs of Giuliano and Lorenzo, adorned by their statues, and Michael Angelo's two celebrated — Gigantic forms of Night and Day Turned into stone, rest everlastingly ; Yet -till are breathing, and shed round at noon A two-fold influence, only to be felt. The Capella di Medici...
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Select Works of the British Poets: In a Chronological Series from Falconer ...

John Aikin, John Frost - 1838 - 752 Seiten
...stairs. Nor then forget that chamber of the dead, Where the gigantic forms of night and day, Tum'd only to be felt — A light, a darkness, mingling each with each ; Both and yet neither. There, from...
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The Quarterly Review, Band 66

William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - 1840 - 650 Seiten
...ha« these exquisite lines:— ' Nor then forget that chamber of the dead, Where the gigantic shapes of Night and Day, Turned into stone, rest everlastingly. Yet still are breathing, and shed round .it noon A twofold influence, only to be felt — A light, a darkness, mingling each with each, Both,...
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