Shakespeare's Festive Comedy: A Study of Dramatic Form and Its Relation to Social CustomPrinceton University Press, 1972 - 265 Seiten " I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction |
Inhalt
PATTERN | 3 |
HOLIDAY CUSTOM AND ENTERTAINMENT | 16 |
MISRULE AS COMEDY COMEDY AS MISRULE | 36 |
Urheberrecht | |
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Shakespeare's Festive Comedy: A Study of Dramatic Form and Its Relation to ... Cesar Lombardi Barber Eingeschränkte Leseprobe - 2011 |
Häufige Begriffe und Wortgruppen
action Antonio attitude audience awareness Bacchus Bassanio Berowne Bottom burlesque Christmas clowns comes comic conveys court custom dance developed disguise doth dramatic dramatist E. K. Chambers Elizabethan expression fairies Falstaff feeling festive comedy folly fool gestures give goes Hal's hath Hermia holiday Hotspur humor imagination irony keep king Kyme lady lines Lord of Misrule Love's Labour's Lost lovers magic maids Malvolio masque meaning Merchant of Venice merry Midsummer Night's Dream mock mockery moral Nashe Nashe's Oberon occasion Olivia pageant pageantry passion pastimes pastoral pathos pattern play play's poetry Portia presented prince Puck Pyramus relation revel Richard II ritual role romantic Romeo Romeo and Juliet Rosalind saturnalian scene Shakespeare shows Shylock Sir Toby social song sort South Kyme speech spirit sport stage Summer sweet Talboys Dymoke talk tell thee Theseus things thou art Titania Touchstone traditional Twelfth Night Viola whole words
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