The DiscoursesScott, 1887 - 283 Seiten |
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Ergebnisse 1-5 von 28
Seite vi
... original and striking : -This proceeds from their not studying the works of other masters . DISCOURSE XIII . Art not merely imitation , but under the direction of the Imagination . -In what manner Poetry , Painting , Acting , Gardening ...
... original and striking : -This proceeds from their not studying the works of other masters . DISCOURSE XIII . Art not merely imitation , but under the direction of the Imagination . -In what manner Poetry , Painting , Acting , Gardening ...
Seite 4
... original conceptions . Knowledge , thus obtained , has always some- thing more popular and useful than that which is forced upon the mind by private precepts or solitary meditation . Besides , it is generally found , that a youth more ...
... original conceptions . Knowledge , thus obtained , has always some- thing more popular and useful than that which is forced upon the mind by private precepts or solitary meditation . Besides , it is generally found , that a youth more ...
Seite 12
... original . In the former period he sought only to know and combine excellence , wherever it was to be found , into one idea of perfection in this he learns , what requires the most attentive survey , and the most subtle disquisition ...
... original . In the former period he sought only to know and combine excellence , wherever it was to be found , into one idea of perfection in this he learns , what requires the most attentive survey , and the most subtle disquisition ...
Seite 13
... a paradox , the more original will be your conceptions . But the difficulty on this occasion is to determine what ought to be proposed as models of excellence , and who ought to be considered as the THE SECOND DISCOURSE . 13.
... a paradox , the more original will be your conceptions . But the difficulty on this occasion is to determine what ought to be proposed as models of excellence , and who ought to be considered as the THE SECOND DISCOURSE . 13.
Seite 29
... original ; and what may seem a paradox , he learns to design naturally by drawing his figures unlike to any one object . This idea of the perfect state of Nature , which the Artist calls the Ideal beauty , is the great leading principle ...
... original ; and what may seem a paradox , he learns to design naturally by drawing his figures unlike to any one object . This idea of the perfect state of Nature , which the Artist calls the Ideal beauty , is the great leading principle ...
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Häufige Begriffe und Wortgruppen
acquired admiration advantage Albert Durer ancient appear artist attention Carlo Maratti character Claude Lorrain colour composition considered copy Correggio criticism defects degree dignity discourse disposition distinguished drapery drawing dress Edited effect elegance endeavour equally ERNEST RHYS excellence expression figure finished Gainsborough genius give grace grandeur habit highest imagination imitation instance invention Joseph Skipsey judgment justly kind labour light and shadow manner Masaccio masters means merit method Michel Angelo mind minute modern nature necessary never object observed opinion ornaments painters painting particular passions Paul Veronese peculiar Pellegrino Tibaldi perfection perhaps picture Pietro Perugino poetry portraits possessed Poussin practice principles proceed produced Raffaelle rank reason recommend Rembrandt Reynolds Royal Academy Rubens rules Sculpture sense Sergius Paulus simplicity Sir Joshua spectator Students style suppose taste things thought tion Titian true truth variety Venetian Venetian school vulgar whole wish
Beliebte Passagen
Seite 30 - There is no excellent Beauty that hath not some strangeness in the proportion. A man cannot tell, whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions, the other by taking the best parts out of divers faces to make one Excellent.
Seite 266 - I have taken another course, one more suited to my abilities, and to the taste of the times in which I live. Yet however unequal I feel myself" to that attempt, were I now to begin the world again, I would tread in the steps of that great master : to kiss the hem of his garment, to catch the slightest of his perfections, would be glory and distinction enough for an ambitious man.
Seite 75 - ... a much more favourable disposition from their readers, and have a much more captivating and liberal air than he who attempts to examine, coldly, whether there are any means by which this art may be acquired; how the mind may be strengthened and expanded, and what guides will show the way to eminence. It is very natural...
Seite 81 - The greatest natural genius cannot subsist on its own stock : he who resolves never to ransack any mind but his own, will be soon reduced, from mere barrenness, to the poorest of all imitations; he will be obliged to imitate himself, and to repeat what he has before often repeated. When we know the subject designed by such men, it will never be difficult to guess what kind of work is to be produced.
Seite 213 - ... is, and ought to be, in many points of view, and strictly speaking, no imitation at all of external nature. Perhaps it ought to be as far removed from the vulgar idea of imitation as the refined civilized...
Seite 270 - Angelo ; with all the rest of the cant of Criticism, which he emitted with that volubility which generally those orators have, who annex no ideas to their words. As we were passing through the rooms, in our way to the Gallery, I made him observe a whole length of Charles the First, by Vandyck, as a perfect representation of the character as well as the figure of the man.
Seite 29 - ... the whole beauty and grandeur of the art consists, in my opinion, in being able to get above all singular forms, local customs, particularities, and details of every kind.
Seite 275 - Maratti, and from thence to the very bathos of insipidity to which they are now sunk; so that there is no need of remarking, that where I mentioned the Italian painters in opposition to the Dutch, I mean not the moderns, but the heads of the old Roman and Bolognian Schools; nor did I mean to include, in my idea of an Italian painter, the Venetian school, which may be said to be the Dutch part of the Italian genius. I have only to add a word of advice to the Painters, — that, however excellent they...
Seite 28 - This great ideal perfection and beauty are not to be sought in the heavens, but upon earth. They are about us, and upon every side of us.
Seite 220 - Garrick, has been as ignorantly praised by his friend Fielding; who doubtless imagined he had hit upon an ingenious device, by introducing in one of his novels (otherwise a work of the highest merit) an ignorant man, mistaking Garrick's representation of a scene in Hamlet for reality.