The Miscellaneous Works, Band 2H.C. Baird, 1854 |
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Seite xv
... principle with a false show of greatness of soul ; and in that respect he is every way deserving of praise Twice he has portrayed downright villains ; and the mas- terly way in which he has contrived to elude impressions PREFACE . XV.
... principle with a false show of greatness of soul ; and in that respect he is every way deserving of praise Twice he has portrayed downright villains ; and the mas- terly way in which he has contrived to elude impressions PREFACE . XV.
Seite 1
... principle of perspective introduced into the subject by the imaginary changes of scene as well as by the length of time it occupies . The read- ing of this play is like going a journey with some uncertain ob- ject at the end of it , and ...
... principle of perspective introduced into the subject by the imaginary changes of scene as well as by the length of time it occupies . The read- ing of this play is like going a journey with some uncertain ob- ject at the end of it , and ...
Seite 6
... principle of analogy to reconcile the greatest diversities of character , and to maintain a continuity of feeling throughout , has not been sufficiently attended to . In CYMBELINE , for instance , the principal interest arises out of ...
... principle of analogy to reconcile the greatest diversities of character , and to maintain a continuity of feeling throughout , has not been sufficiently attended to . In CYMBELINE , for instance , the principal interest arises out of ...
Seite 7
... principle , melting into , and strengthening one another , like chords in music . The characters of Bellarius , Guiderius , and Arviragus , and the romantic scenes in which they appear , are a fine relief to the intrigues and artificial ...
... principle , melting into , and strengthening one another , like chords in music . The characters of Bellarius , Guiderius , and Arviragus , and the romantic scenes in which they appear , are a fine relief to the intrigues and artificial ...
Seite 11
... principle of the other . The over- whelming pressure of preternatural agency urges on the tide of human passion with redoubled force . Macbeth himself appears driven along by the violence of his fate like a vessel drifting before a ...
... principle of the other . The over- whelming pressure of preternatural agency urges on the tide of human passion with redoubled force . Macbeth himself appears driven along by the violence of his fate like a vessel drifting before a ...
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Häufige Begriffe und Wortgruppen
admiration affectation appear beauty Ben Jonson Boccaccio breath Caliban character Chaucer circumstances comedy comic common Coriolanus critic death delight Desdemona Don Quixote dramatic Edinburgh Review equal Falstaff fancy feeling flowers folly friends genius give grace ground hand heart heaven Hudibras human humour Iago idea imagination instance interest kind king lady laugh less light live look Lord Byron lover Macbeth MALVOLIO manner Milton mind moral Muse nature never object opinion Othello passage passion perhaps person philosophical picture play pleasure poem poet poetical poetry Pope prejudice principle racter reader reason refinement Richard III ridiculous satire scene School for Scandal seems sense sentiment Shakspeare Shakspeare's sort soul speak spirit story striking style sweet Tatler thee things thou thought tion Tom Jones truth turn verse whole wild words writer
Beliebte Passagen
Seite 83 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back ; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites ; and you, whose pastime Is to make midnight mushrooms...
Seite 13 - The effect and it! Come to my woman's breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature's mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry 'Hold, hold!
Seite 97 - Romeo: and when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun.
Seite 145 - Scoffing his state and grinning at his pomp, Allowing him a breath, a little scene, To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and humour'd thus Comes at the last and with a little pin Bores through his castle wall, and farewell king...
Seite 35 - DUKE'S PALACE. [Enter DUKE, CURIO, LORDS; MUSICIANS attending.] DUKE. If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken and so die.— That strain again;— it had a dying fall; O, it came o'er my ear like the sweet south, That breathes upon a bank of violets, Stealing and giving odour.— Enough; no more; 'Tis not so sweet now as it was before.
Seite 127 - Harry, I do not only marvel where thou spendest thy time, but also how thou art accompanied : for though the camomile, the more it is trodden on, the faster it grows, yet youth, the more it is wasted, the sooner it wears.
Seite 63 - Her feet beneath her petticoat Like little mice stole in and out, As if they feared the light: But, oh ! she dances such a way— No sun upon an Easter day Is half so fine a sight.
Seite 109 - Hear, Nature, hear ! dear goddess, hear ! Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase, And from her derogate body never spring A babe to honour her ! If she must teem...
Seite 15 - A heavy summons lies like lead upon me, And yet I would not sleep. Merciful powers, Restrain in me the cursed thoughts that nature Gives way to in repose!
Seite 81 - And mine shall. Hast thou, which art but air, a touch, a feeling Of their afflictions, and shall not myself, One of their kind, that relish all as sharply Passion* as they, be kindlier mov'd than thou art?