Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 55
Seite 4
... play's relevance to contemporary experience . J. C. Trewin , for ex- ample , reported that the production was breathtaking , partic- ularly in its evocation of a terrifying , " harsh and primitive " world . Bertram Joseph and Robert ...
... play's relevance to contemporary experience . J. C. Trewin , for ex- ample , reported that the production was breathtaking , partic- ularly in its evocation of a terrifying , " harsh and primitive " world . Bertram Joseph and Robert ...
Seite 146
... play's staging are more carefully considered than Lamb's ( which were indeed a part of a rather childish outburst against the idolatry of actors and acting in general ) , and they are pretty comprehensive . He holds that while " it has ...
... play's staging are more carefully considered than Lamb's ( which were indeed a part of a rather childish outburst against the idolatry of actors and acting in general ) , and they are pretty comprehensive . He holds that while " it has ...
Seite 177
... play unfolds . Goldman also analyzes a parallel difficulty for an actor , " the problem of speaking the play's verse , " specifically suggest- ing ways to deal with words and phrases which seem to resist articulation . Harris , Arthur ...
... play unfolds . Goldman also analyzes a parallel difficulty for an actor , " the problem of speaking the play's verse , " specifically suggest- ing ways to deal with words and phrases which seem to resist articulation . Harris , Arthur ...
Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words