...merits of prose are inferior, but they are not the same; it is a little kingdom, but an independent. 3. Rhythm of the Phrase. — Some way back, I used a...in practice. All night | the dread | less an | gel an | pursued,* goes the schoolboy ; but though we close our ears, we cling to our definition, in spite...

...analogies to painting and the like ; but in what is technical and executive, being a temporal art, i.1 must seek for them in music. Each phrase of each sentence,...description put in practice. All night | the dread | less :\n | gel tin | pursued. * goes the schoolboy ; but though we close our ears, we cling to our definition,...

...accented and unaccented, as to gratify the sensual ear. And of this the ear is the sole judge. a5a It is impossible to lay down laws. Even in our accentual...practice. " All night | the dread | less an | gel un | pursued,".1 goes the schoolboy ; but though we close our ears, we cling to our definition, in spite...

...classification of poetic feet. To the phrasal foot, if such it can be called, are open all possible combina1 " We have been accustomed to describe the heroic line...own description put in practice. ' All night | the dread|less an|gel hn|pursued,' goes the schoolboy; but though we close our ears, we cling to our definition,...

...classification of poetic feet. To the phrasal foot, if such it can be called, are open all possible combina1 " We have been accustomed to describe the heroic line...heard our own description put in practice. ' All night j the dreadiless an|gel imlpursi1ed,' goes the schoolboy ; but though we close our ears, we cling to...

...of prose are inferior, but they are not the same ; it is a little kingdom, but an independent. 11. Rhythm of the Phrase. — Some way back, I used a...in practice. All night | the dread | less an | gel iin | pursued i goes the schoolboy ; but though we close our ears, we cling to our definition, in spite...

...of prose are inferior, but they are not the same ; it is a little kingdom, but an independent. 11. Rhythm of the Phrase. — Some way back, I used a...our own description put in practice. All night | the dre^d \ less Jin | gel un | pursued 1 goes the schoolboy ; but though we close our ears, we cling to...

...compounded out of long and short,: out of accented and unaccented, as to gratify .the] sensual eat. And of this the ear is the sole judge. It is impossible...All night | the dread | less an | gel un | pursued," J goes the school-boy ; but though we close our ears, we cling to our definition, in spite of its proved...

...then, of those phrases, such as prose is built of, | which obey no law but to be lawless and yet toj please? The little that we know of verse (and for...description put in practice. " All night | the dread | less 2m | gel un | pursued," 1 goes the school-boy ; but though we close our ears, we cling to our definition,...

...in our accentual and rhythmic language no analysis can find the secret of the beauty of a verse; 192 how much less, then, of those phrases, such as prose...in practice. "All night | the dread | less an | gel Cm | pursued,"1 goes the schoolboy; but though we close our ears, we cling to our definition, in spite...