Sydney Studies in English, Band 31University of Sydney., 2005 |
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Seite 28
... John Clarke laments the absence in the film of the self - conscious , knowing relationship established between narrator and reader in the novel . ' In the BBC adaptation it is demonstrated that if the writer's asides to the reader are ...
... John Clarke laments the absence in the film of the self - conscious , knowing relationship established between narrator and reader in the novel . ' In the BBC adaptation it is demonstrated that if the writer's asides to the reader are ...
Seite 108
... John Keats , Letter to Richard Woodhouse , 27 October 1818 , The Letters of John Keats 1814-1821 : Volume 1 , ed . Hyder Edward Rollins ( Cambridge : Cambridge University Press , 1958 ) , p . 387 . Harold Bloom , ' Introduction ...
... John Keats , Letter to Richard Woodhouse , 27 October 1818 , The Letters of John Keats 1814-1821 : Volume 1 , ed . Hyder Edward Rollins ( Cambridge : Cambridge University Press , 1958 ) , p . 387 . Harold Bloom , ' Introduction ...
Seite 118
... John Hannah Samantha Morton Emily Woof Emma Fielding Andy Serkis Samuel West Michael N. Harbour Dexter Fletcher Samuel Coleridge William Wordsworth Sara Coleridge Dorothy Wordsworth Mary Wordsworth John Thelwall Robert Southey [ James ...
... John Hannah Samantha Morton Emily Woof Emma Fielding Andy Serkis Samuel West Michael N. Harbour Dexter Fletcher Samuel Coleridge William Wordsworth Sara Coleridge Dorothy Wordsworth Mary Wordsworth John Thelwall Robert Southey [ James ...
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actors adaptation Aeneas's Tale Agamben America angel animal Armfield aspiration audience bees Belvoir Street Blade Runner Blake breath Bridget Jones's Diary caress character Child Christ Coetzee Coetzee's Coleridge Coleridge's conversation cultural Darcy Darcy's David David Malouf Deckard Disgrace Dorothy Elizabeth Costello Elsinore at Belvoir English fiction film film's Frankenstein Gemmy Gemmy's Gerard Manley Hopkins Ghost God's Hamlet Hopkins's human identity imagination indigenous inspiration Jane Austen kiss language Letters lines literary London Lucy Malouf Mary metatheatre mouth narrative narrator one's Ovid Ovid's Oxford University Press Pandaemonium Paradise performance physical play Player poem poet Poetical poetry Pride and Prejudice production radical reader reading recognise Remembering Babylon Replicants response role Romantic scene self-other relation sense Sermons sexual Shakespeare sigh Song of Songs Soraya soul soul's speaker speech Spirit sprung rhythm stage stress Sulmo theatre touch Tyrell University of Sydney usurp William Wordsworth word writes