DiscoursesJ. Long, 1908 - 128 Seiten |
Im Buch
Ergebnisse 1-3 von 3
Seite 38
... chiaroscuro . It is as com- mon to find studies of the Venetian and Flemish painters on canvas , as of the schools of Rome and Florence on paper . Not but that many finished drawings are sold under the names of those masters . Those ...
... chiaroscuro . It is as com- mon to find studies of the Venetian and Flemish painters on canvas , as of the schools of Rome and Florence on paper . Not but that many finished drawings are sold under the names of those masters . Those ...
Seite 38
... chiaroscuro . It is as com- mon to find studies of the Venetian and Flemish painters on canvas , as of the schools of Rome and Florence on paper . Not but that many finished drawings are sold under the names of those masters . Those ...
... chiaroscuro . It is as com- mon to find studies of the Venetian and Flemish painters on canvas , as of the schools of Rome and Florence on paper . Not but that many finished drawings are sold under the names of those masters . Those ...
Seite 66
... chiaroscuro , which was often the practice of the Bolognian schools ; and the other , by making the colours very distinct and forcible , such as we see in those of Rome and Florence ; but still , the pre- siding principle of both those ...
... chiaroscuro , which was often the practice of the Bolognian schools ; and the other , by making the colours very distinct and forcible , such as we see in those of Rome and Florence ; but still , the pre- siding principle of both those ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Academy acquired admiration ancients Annibale Caracci antiquity appear artist attain attention beau ideal called Caracci Carlo Maratti character chiaroscuro Claude Lorrain colouring composition confined consider contemplation copying correct Correggio defects deformity difficult dignity discourse distinguished drapery drawing effect elegance endeavour expression fashion favour favourite Flemish genius give grace grandeur greatest Guercino habits of nature higher excellences human figure idea of beauty imagination imitation invention kind labour Livy Lodovico Caracci Louis the Fourteenth manner masters means mechanical method Michael Angelo mind minute modern never object observation opinion ornamental painter particular passions Paul Veronese peculiar perhaps Phidias Philopoemen picture portrait portrait-painter possessed Poussin practice praise precepts principles produced profession Raffaelle rank recommend reputation Reynolds Rubens rules Salvator Rosa schools seems servilely sidered simplicity species spectator style in painting sublime suppose taste Tintoret tion Titian true variety Venetian Venetian school vulgar wish young students