Wild Men in the Looking Glass: The Mythic Origins of European OthernessUniversity of Michigan Press, 1994 - 232 Seiten "Long before the age of exploration, wild men inhabited the European imagination. These fascinating, hairy creatures have a long history of representation in art, literature, and folklore, appearing among other guises as satyrs and fauns in ancient Greece, mythical forest - and mountain-dwellers in the Middle Ages, and Shakespeare's Caliban and Cervantes's Cardenio in the Renaissance. Wild folk also captured the attention of naturalists, who investigated homo ferus and homo sylvestris, and philosophers, who elaborated the image of the noble savage." "In Wild Men in the Looking Glass, Roger Bartra searches out the roots of the European wild man myth and explores its long evolution. Turning the tables on those who suggest that the primitive peoples "discovered" and colonized by European explorers gave rise to the myth, Bartra finds that the wild man myth preceded and helped shape European reactions to real peoples. Indeed, he shows that the wild man underpins the notion of civilization on which much of Western identity has been based. The man we recognize as "civilized" has not been able to take a single step without the shadow of the wild man at his heel."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Seite 86
The Mythic Origins of European Otherness Roger Bartra. MS Fig . 33. Engraving by Martin Schongauer , Wild Woman Holding a Shield with Lion's Head ( Colmar , Germany , ca. 1480-90 ) . The charming wild woman , with a garland of leaves ...
The Mythic Origins of European Otherness Roger Bartra. MS Fig . 33. Engraving by Martin Schongauer , Wild Woman Holding a Shield with Lion's Head ( Colmar , Germany , ca. 1480-90 ) . The charming wild woman , with a garland of leaves ...
Seite 104
... engraving of Hans Schäufelein . Finally , the third phase reduced the wild man to a heraldic device , a mere bearer of the arms of hundreds of noble European fam- ilies ; the wild man , from representing a terrible sexual threat ...
... engraving of Hans Schäufelein . Finally , the third phase reduced the wild man to a heraldic device , a mere bearer of the arms of hundreds of noble European fam- ilies ; the wild man , from representing a terrible sexual threat ...
Seite 152
... engraving a wild man hides behind a tree trunk . His left hand caresses a thistle blossom , while with his right he threatens with a stick . ( The Art Institute of Chicago , Gift of Mrs. Potter Palmer , 1954.1141 . Photograph copyright ...
... engraving a wild man hides behind a tree trunk . His left hand caresses a thistle blossom , while with his right he threatens with a stick . ( The Art Institute of Chicago , Gift of Mrs. Potter Palmer , 1954.1141 . Photograph copyright ...
Inhalt
Prologue | 1 |
Barren Nature | 43 |
The Epic of the Wild Man | 127 |
Urheberrecht | |
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The Ethnological Imagination: A Cross-cultural Critique of Modernity Fuyuki Kurasawa Eingeschränkte Leseprobe - 2004 |