Essays by Divers HandsOxford University Press, 1965 |
Im Buch
Ergebnisse 1-3 von 18
Seite 95
... Thackeray's characters produce the illusion of reality - ' the sentiment of reality ' to use his own phrase . This is no doubt partly a question of technique . Thackeray had an uncannily keen ear for the rhythm of speech and he gives ...
... Thackeray's characters produce the illusion of reality - ' the sentiment of reality ' to use his own phrase . This is no doubt partly a question of technique . Thackeray had an uncannily keen ear for the rhythm of speech and he gives ...
Seite 96
... Thackeray , in fact the greatest element of happiness in his life . Both he and Jane were content that it should be purely platonic , her husband approved , and Thackeray was able to enjoy the solace of female companionship of which he ...
... Thackeray , in fact the greatest element of happiness in his life . Both he and Jane were content that it should be purely platonic , her husband approved , and Thackeray was able to enjoy the solace of female companionship of which he ...
Seite 102
... Thackeray's earlier work , but by Smith Elder and Co. This change was the most important event of Thackeray's last period . George Smith , the most remarkable figure in the publishing world at that time , determined in 1859 to found a ...
... Thackeray's earlier work , but by Smith Elder and Co. This change was the most important event of Thackeray's last period . George Smith , the most remarkable figure in the publishing world at that time , determined in 1859 to found a ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
achieved autobiography become begin believe better Bovary called century character comes course critics dark death describe direct dreams early element Emma emotional example experience expressed eyes fact feel fiction Flaubert give Greek hand human idea images imagination interest kind knowledge language later lecture light lines literary literature living London look means memory metaphor method mind moved myth nature never novel novelist once passage perhaps period picture play poem poet poetic poetry possible present problem reader reality relation remember Riding scene scientific seems Seferis sense Shakespeare social Society story style suggest symbol tell Thackeray things thought tion tone true turn walk wanted whole woman writing written Yorkshire young