Essays by Divers HandsOxford University Press, 1965 |
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Seite 53
... believe and don't believe ; or perhaps it is better to say that in producing a metaphor a poet is drawing attention to ways of knowing that are not dependent on literal belief . That is why poets have always found it hard to come to ...
... believe and don't believe ; or perhaps it is better to say that in producing a metaphor a poet is drawing attention to ways of knowing that are not dependent on literal belief . That is why poets have always found it hard to come to ...
Seite 135
... believe myself that he would have broken with her much sooner if he had not needed her substance for Emma Bovary . Although she is responsible for a great deal of the shoddiness in his heroine , it is she also who gives her warmth and ...
... believe myself that he would have broken with her much sooner if he had not needed her substance for Emma Bovary . Although she is responsible for a great deal of the shoddiness in his heroine , it is she also who gives her warmth and ...
Seite 142
... believe in happiness . To Louise Colet he wrote : ' We must realize that happiness is only a myth invented by the devil to drive us to despair . It is the races that believe in Heaven that have no imagination . ' Only Félicité , in Un ...
... believe in happiness . To Louise Colet he wrote : ' We must realize that happiness is only a myth invented by the devil to drive us to despair . It is the races that believe in Heaven that have no imagination . ' Only Félicité , in Un ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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achieved autobiography become begin believe better Bovary called century character comes course critics dark death describe direct dreams early element Emma emotional example experience expressed eyes fact feel fiction Flaubert give Greek hand human idea images imagination interest kind knowledge language later lecture light lines literary literature living London look means memory metaphor method mind moved myth nature never novel novelist once passage perhaps period picture play poem poet poetic poetry possible present problem reader reality relation remember Riding scene scientific seems Seferis sense Shakespeare social Society story style suggest symbol tell Thackeray things thought tion tone true turn walk wanted whole woman writing written Yorkshire young