Essays by Divers HandsOxford University Press, 1965 |
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Seite 30
... better than this , which is baffled and held back . I imagine that George Orwell's discursive style was ham- mered out in the course of struggles such as I have been des- cribing : that he very much wanted not to use echoes of old ...
... better than this , which is baffled and held back . I imagine that George Orwell's discursive style was ham- mered out in the course of struggles such as I have been des- cribing : that he very much wanted not to use echoes of old ...
Seite 50
... better ; and the literary critic should know better , too - he should know that the mere assimi- lation of poetry to myth or to the utterance of symbolic words or archetypal images cannot explain what poetry is . The curse imposed on ...
... better ; and the literary critic should know better , too - he should know that the mere assimi- lation of poetry to myth or to the utterance of symbolic words or archetypal images cannot explain what poetry is . The curse imposed on ...
Seite 53
... better to say that in producing a metaphor a poet is drawing attention to ways of knowing that are not dependent on literal belief . That is why poets have always found it hard to come to terms with the surface realities of their own ...
... better to say that in producing a metaphor a poet is drawing attention to ways of knowing that are not dependent on literal belief . That is why poets have always found it hard to come to terms with the surface realities of their own ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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achieved autobiography become begin believe better Bovary called century character comes course critics dark death describe direct dreams early element Emma emotional example experience expressed eyes fact feel fiction Flaubert give Greek hand human idea images imagination interest kind knowledge language later lecture light lines literary literature living London look means memory metaphor method mind moved myth nature never novel novelist once passage perhaps period picture play poem poet poetic poetry possible present problem reader reality relation remember Riding scene scientific seems Seferis sense Shakespeare social Society story style suggest symbol tell Thackeray things thought tion tone true turn walk wanted whole woman writing written Yorkshire young