Essays by Divers HandsOxford University Press, 1965 |
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Seite 34
... come up and offer itself to you ; it might not . But you can't will it to come up . You can best use your conscious skills ... comes alive to me — people , habits , and events with their associations and overtones . Perhaps smell is the ...
... come up and offer itself to you ; it might not . But you can't will it to come up . You can best use your conscious skills ... comes alive to me — people , habits , and events with their associations and overtones . Perhaps smell is the ...
Seite 53
... come to terms with the surface realities of their own civilization as a source of poetic imagery . The poet needs ... comes to the fallen angel whom the Greeks were to worship as Hephaestus and the Romans as Vulcan , to tell the Greek ...
... come to terms with the surface realities of their own civilization as a source of poetic imagery . The poet needs ... comes to the fallen angel whom the Greeks were to worship as Hephaestus and the Romans as Vulcan , to tell the Greek ...
Seite 63
... comes the important point , one that involves the whole question of craftsmanship and artistic integrity . That ... come . They suggest dramatic events and create anticipation in the reader's mind , so that when the big crises occur and ...
... comes the important point , one that involves the whole question of craftsmanship and artistic integrity . That ... come . They suggest dramatic events and create anticipation in the reader's mind , so that when the big crises occur and ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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achieved autobiography become begin believe better Bovary called century character comes course critics dark death describe direct dreams early element Emma emotional example experience expressed eyes fact feel fiction Flaubert give Greek hand human idea images imagination interest kind knowledge language later lecture light lines literary literature living London look means memory metaphor method mind moved myth nature never novel novelist once passage perhaps period picture play poem poet poetic poetry possible present problem reader reality relation remember Riding scene scientific seems Seferis sense Shakespeare social Society story style suggest symbol tell Thackeray things thought tion tone true turn walk wanted whole woman writing written Yorkshire young