Essays by Divers HandsOxford University Press, 1965 |
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Seite 18
... social - cultural mood . I will describe this mood , and the tones of voice it calls out in writers , so as to lead into a discussion of characteristic weaknesses in autobiography today , and of some larger problems in writing ...
... social - cultural mood . I will describe this mood , and the tones of voice it calls out in writers , so as to lead into a discussion of characteristic weaknesses in autobiography today , and of some larger problems in writing ...
Seite 24
... social world . That comment leads to my next point which is about style and social class . Here I am concerned not simply with the danger of keeping one's eye too much on the audience , but with the further danger in doing so when there ...
... social world . That comment leads to my next point which is about style and social class . Here I am concerned not simply with the danger of keeping one's eye too much on the audience , but with the further danger in doing so when there ...
Seite 37
... social background . But just here I am anxious to put the emphasis on the social aspects of this search -that it is easier for certain manners and tones to express them- selves , because so much of our writing has traditionally been ...
... social background . But just here I am anxious to put the emphasis on the social aspects of this search -that it is easier for certain manners and tones to express them- selves , because so much of our writing has traditionally been ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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achieved autobiography become begin believe better Bovary called century character comes course critics dark death describe direct dreams early element Emma emotional example experience expressed eyes fact feel fiction Flaubert give Greek hand human idea images imagination interest kind knowledge language later lecture light lines literary literature living London look means memory metaphor method mind moved myth nature never novel novelist once passage perhaps period picture play poem poet poetic poetry possible present problem reader reality relation remember Riding scene scientific seems Seferis sense Shakespeare social Society story style suggest symbol tell Thackeray things thought tion tone true turn walk wanted whole woman writing written Yorkshire young