Essays by Divers HandsOxford University Press, 1965 |
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Seite 45
... walks o'er the dew of yon high eastward hill ' . She does not walk over the grass , but over the dew , and the human imagination has for long been committed to the dew as a magic liquid , mysteriously falling from heaven ( which it does ...
... walks o'er the dew of yon high eastward hill ' . She does not walk over the grass , but over the dew , and the human imagination has for long been committed to the dew as a magic liquid , mysteriously falling from heaven ( which it does ...
Seite 46
... walks ' ? Every sensitive reader will find his own answer to these questions . I will pause only to say a word about ' walks ' . The morn walks over the dew . There is a suggestion of a ritual act here . ( In Latin , I feel , the verb ...
... walks ' ? Every sensitive reader will find his own answer to these questions . I will pause only to say a word about ' walks ' . The morn walks over the dew . There is a suggestion of a ritual act here . ( In Latin , I feel , the verb ...
Seite 92
... walk with him , be she ever so weary ; and laugh at his brutal jokes , be she in ever so much pain of body or heart . Caroline's devotion to her husband is a prodigy to read of . What charm had the little man ? What was there in those ...
... walk with him , be she ever so weary ; and laugh at his brutal jokes , be she in ever so much pain of body or heart . Caroline's devotion to her husband is a prodigy to read of . What charm had the little man ? What was there in those ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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achieved autobiography become begin believe better Bovary called century character comes course critics dark death describe direct dreams early element Emma emotional example experience expressed eyes fact feel fiction Flaubert give Greek hand human idea images imagination interest kind knowledge language later lecture light lines literary literature living London look means memory metaphor method mind moved myth nature never novel novelist once passage perhaps period picture play poem poet poetic poetry possible present problem reader reality relation remember Riding scene scientific seems Seferis sense Shakespeare social Society story style suggest symbol tell Thackeray things thought tion tone true turn walk wanted whole woman writing written Yorkshire young