Essays by Divers HandsOxford University Press, 1965 |
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Seite 36
... whole the movement , the rhythm , of our kind of life does not get into prose - not , that is , in the way in which Forster's tone may be said to embody the approach to experience of a whole group . In this sense , it is difficult to ...
... whole the movement , the rhythm , of our kind of life does not get into prose - not , that is , in the way in which Forster's tone may be said to embody the approach to experience of a whole group . In this sense , it is difficult to ...
Seite 63
... whole , and plays a subordinate part toward the establishment and main- tenance of that whole . Further , you will find , from time to time , that one of these details is in itself a miniature or epitome of the whole work , offering as ...
... whole , and plays a subordinate part toward the establishment and main- tenance of that whole . Further , you will find , from time to time , that one of these details is in itself a miniature or epitome of the whole work , offering as ...
Seite 109
... whole generation was profoundly disillusioned , when it saw the dreams and the labours of 400 years come true with the Treaty of Sèvres in 1920 - both sides of the Aegean in Greek hands - and then suddenly in less than two years the whole ...
... whole generation was profoundly disillusioned , when it saw the dreams and the labours of 400 years come true with the Treaty of Sèvres in 1920 - both sides of the Aegean in Greek hands - and then suddenly in less than two years the whole ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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achieved autobiography become begin believe better Bovary called century character comes course critics dark death describe direct dreams early element Emma emotional example experience expressed eyes fact feel fiction Flaubert give Greek hand human idea images imagination interest kind knowledge language later lecture light lines literary literature living London look means memory metaphor method mind moved myth nature never novel novelist once passage perhaps period picture play poem poet poetic poetry possible present problem reader reality relation remember Riding scene scientific seems Seferis sense Shakespeare social Society story style suggest symbol tell Thackeray things thought tion tone true turn walk wanted whole woman writing written Yorkshire young