Essays by Divers HandsOxford University Press, 1965 |
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Seite 123
... woman in a picture was only one woman , but a woman in a book could be all women . Most ages have one particular literary form , which they use to reveal their conclusions on life . In the seventeenth century it was drama and in the ...
... woman in a picture was only one woman , but a woman in a book could be all women . Most ages have one particular literary form , which they use to reveal their conclusions on life . In the seventeenth century it was drama and in the ...
Seite 134
... woman since his earliest years , and his Juvenilia abound in similar characters . Also several women went to the creation of Emma Bovary . There was Louise Pradier , the wife of the sculptor , who had ruined her husband by her ...
... woman since his earliest years , and his Juvenilia abound in similar characters . Also several women went to the creation of Emma Bovary . There was Louise Pradier , the wife of the sculptor , who had ruined her husband by her ...
Seite 153
... woman is presented as she really is : a woman shrewd , intelligent , of great integrity and strong back- bone ; not very poetical nor very elegant , but , as Jane Eyre says of herself , ' a free human being with an independent will ...
... woman is presented as she really is : a woman shrewd , intelligent , of great integrity and strong back- bone ; not very poetical nor very elegant , but , as Jane Eyre says of herself , ' a free human being with an independent will ...
Inhalt
INTRODUCTION By RICHARD CHURCH C B E F R S L | 1 |
Tredegar Memorial Lecture 1961 | 18 |
Giff Edmonds Memorial Lecture 1961 | 39 |
Urheberrecht | |
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achieved autobiography become begin believe better Bovary called century character comes course critics dark death describe direct dreams early element Emma emotional example experience expressed eyes fact feel fiction Flaubert give Greek hand human idea images imagination interest kind knowledge language later lecture light lines literary literature living London look means memory metaphor method mind moved myth nature never novel novelist once passage perhaps period picture play poem poet poetic poetry possible present problem reader reality relation remember Riding scene scientific seems Seferis sense Shakespeare social Society story style suggest symbol tell Thackeray things thought tion tone true turn walk wanted whole woman writing written Yorkshire young