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Where I may oft outwatch the Bear,
With thrice great Hermes, or unsphere
The spirit of Plato, to unfold

What worlds, or what vast regions hold
The immortal mind that hath forsook
Her mansion in this fleshly nook:
And of those demons that are found
In fire, air, flood, or underground,
Whose power hath a true consent,
With planet or with element.
Sometime let gorgeous Tragedy,
In sceptred pall, come sweeping by,
Presenting Thebes, or Pelops' line,
Or the tale of Troy divine;
Or what (though rare) of later age
Ennobled hath the buskin'd stage.

But, O, sad virgin, that thy power
Might raise Musæus from his bower!
Or bid the soul of Orpheus sing

Such notes as, warbled to the string,
Drew iron tears down Pluto's cheek,
And made hell grant what love did seek ·
Or call up him that left half told

The story of Cambuscan bold,
Of Camball, and Algarsife,

And who had Canace to wife,

'That own'd the virtuous ring and glass;
And of the wondrous horse of brass,
On which the Tartar king did ride:
And if aught else great bards beside
In sage and solemn tunes have sung,

Of turneys, and of trophies hung,

Of forests, and enchantments drear,

Where more is meant than meets the ear.
Thus, Night, oft see me in thy pale career,
Till civil-suited Morn appear,

Not trick'd and frounced as she was wont
With the attic boy to hunt,

But kercheft in a comely cloud,

While rocking winds are piping loud,
Or usher'd with a shower still,
When the gust hath blown his fill,
Ending on the rustling leaves,
With minute drops from off the eaves.
And, when the sun begins to fling
His flaring beams, me, goddess, bring
To arched walks of twilight groves,
And shadows brown, that Sylvan loves,
Of pine, or monumental oak,

Where the rude axe, with heaved stroke,
Was never heard the nymphs to daunt,
Or fright them from their hallow'd haunt.
There, in close covert, by some brook,
Where no profaner eye may look,

Hide me from day's garish eye,
While the bee, with honied thigh,
That at her flowery work doth sing,
And the waters murmuring,
With such consort as they keep,
Entice the dewy-feather'd sleep;

And let some strange mysterious dream
Wave at his wings in airy stream

Of lively portraiture display'd,
Softly on my eyelids laid.

And, as I wake, sweet music breathe
Above, about, or underneath,

Sent by some spirit to mortals good,
Or the unseen genius of the wood.
But let my due feet never fail
To walk the studious cloisters' pale,
And love the high embower'd roof,
With antique pillars massy proof,
And storied windows richly dight,
Casting a dim religious light:
There let the pealing organ blow,
To the full-voiced quire below,
In service high and anthems clear,

As

may

with sweetness, through mine ear, Dissolve me into ecstasies,

And bring all heaven before mine eyes.
And may at last my weary age
Find out the peaceful hermitage,
The hairy gown and mossy cell,
Where I may sit and rightly spell
Of every star that heaven doth show,
And every herb that sips the dew;
Till old experience do attain
To something like prophetic strain.

These pleasures, Melancholy, give,
And I with thee will choose to live.

SONNETS.

I TO THE NIGHTINGALE.

O NIGHTINGALE, that on yon bloomy spray

Warblest at eve, when all the woods are still; Thou with fresh hope the lover's heart dost fill, While the jolly hours lead on propitious May. Thy liquid notes that close the eye of day,

First heard before the shallow cuckoo's bill, Portend success in love; O, if Jove's will Have link'd that amorous power to thy soft lay, Now timely sing, ere the rude bird of hate Foretel my hopeless doom in some grove nigh; As thou from year to year hast sung too late For my relief, yet hadst no reason why:

Whether the Muse, or Love, call thee his mate, Both them I serve, and of their train am I.

II.

DONNA leggiadra il cui bel nome honora
L'herbosa val di Rheno, e il nobil varco,
Bene é colui d'ogni valore scarco
Qual tuo spirto gentil non innamora ;
Che dolcemente mostra si di fuora

De sui atti soavi giamai parco,

E i don', che son d'amor saette ed arco, La onde l' alta tua virtu s'infiora.

Quando tu vaga parli, o lieta canti Che mover possa duro alpestre legno, Guardi ciascun a gli occhi, ed a gli orecchi L'entrata, chi de te si trova indegno;

Gratia sola di su gli vaglia, inanti Che'l disio amoroso al cuor s'invecchi.

III.

QUAL in colle aspro, al imbrunir di sera
L'avezza giovinetta pastorella

Va bagnando l'herbetta strana e bella
Che mal si spande a disusata spera
Fuor di sua natia alma primavera,

Cosi Amor meco insù la lingua snella
Desta il fior novo di strania favella,
Mentre io di te, vezzosamente altera,
Canto, dal mio buon popol non inteso
E'l bel Tamigi cangio col bel Arno.
Amor lo volse, ed io a l'altrui peso
Seppi ch' Amor cosa mai volse indarno.
Deh! foss' il mio cuor lento e'l duro seno
A chi pianta dal ciel si buon terreno.

CANZONE.

RIDONSI donne e giovani amorosi

M'accostandosi attorno, e perche scrivi, Perche tu scrivi in lingua ignota e strana Verseggiando d' amor, e come t'osi? Dinne, se la tua speme sia mai vana, E de pensieri lo miglior t' arrivi; Cosi mi van burlando, altri rivi

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