Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 105
... Falstaff's " real " identity as Oldcastle , then part of the pleasure of this theatrical experience would have been the knowledge that one could read the clandestine identity hidden behind the name . In short , rather than ...
... Falstaff's " real " identity as Oldcastle , then part of the pleasure of this theatrical experience would have been the knowledge that one could read the clandestine identity hidden behind the name . In short , rather than ...
Seite 151
... Falstaff , Henry IV , and Prince Hal / Henry V. In what follows , I argue that different forms of this mixture either impede or undermine these characters ' attempts during the Second Henriad to reform them- selves ethically and ...
... Falstaff , Henry IV , and Prince Hal / Henry V. In what follows , I argue that different forms of this mixture either impede or undermine these characters ' attempts during the Second Henriad to reform them- selves ethically and ...
Seite 152
... Falstaff would doubtless be willing to do ) . Shakespeare's playing fast and loose with Falstaff's stage Protestantism , his making it of several ages and thus no age , makes it vaguely ge- neric . 10 A combination of Oldcastle and the ...
... Falstaff would doubtless be willing to do ) . Shakespeare's playing fast and loose with Falstaff's stage Protestantism , his making it of several ages and thus no age , makes it vaguely ge- neric . 10 A combination of Oldcastle and the ...
Inhalt
Representation and Reformation in Measure for Measure | 1 |
Miscarried Narratives in Much | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Urheberrecht | |
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