Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 98
... tion of speech acts in theatrical texts , and especially of two aspects of deixis : the direction and recipients of address in speech marked as soliloquy , and the reflexivity of address in speech acts of any kind . What does it mean ...
... tion of speech acts in theatrical texts , and especially of two aspects of deixis : the direction and recipients of address in speech marked as soliloquy , and the reflexivity of address in speech acts of any kind . What does it mean ...
Seite 117
... tion between an individual's reputation and a nation's . Indeed , it is likely that a play featuring a fat rogue named Oldcastle would have insulted William Brooke , a titular descendent of the knight's Cobham Lordship who served ...
... tion between an individual's reputation and a nation's . Indeed , it is likely that a play featuring a fat rogue named Oldcastle would have insulted William Brooke , a titular descendent of the knight's Cobham Lordship who served ...
Seite 343
... tion of Poetic Subjectivity in the Sonnets ( Berkeley : University of California Press , 1986 ) ; de Grazia , “ The Scandal of Shakespeare's Sonnets , " 47. Cf. Stephen Orgel , " Nobody's Perfect : Or Why Did the English Stage Take Boys ...
... tion of Poetic Subjectivity in the Sonnets ( Berkeley : University of California Press , 1986 ) ; de Grazia , “ The Scandal of Shakespeare's Sonnets , " 47. Cf. Stephen Orgel , " Nobody's Perfect : Or Why Did the English Stage Take Boys ...
Inhalt
Representation and Reformation in Measure for Measure | 1 |
Miscarried Narratives in Much | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Urheberrecht | |
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