Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 187
... women's roles , its playing out of the anxious possibility of literalization . Margaret gives York the blood of his son , identifying it by defining the paternal connection that he cannot rec- ognize without her help . Metaphorically ...
... women's roles , its playing out of the anxious possibility of literalization . Margaret gives York the blood of his son , identifying it by defining the paternal connection that he cannot rec- ognize without her help . Metaphorically ...
Seite 225
... women would presum- ably be " filiae , " daughters , rather than " filii , " sons . This discrepancy may be explained in part by the rela- tive availability of labels for gender identity : by the twelfth century , when Bernard wrote , women ...
... women would presum- ably be " filiae , " daughters , rather than " filii , " sons . This discrepancy may be explained in part by the rela- tive availability of labels for gender identity : by the twelfth century , when Bernard wrote , women ...
Seite 330
... woman , and therefore she is " pricked . . . out for women's plea- sure " in the sense that she is " marked " with " the plea- sure which belongs to woman ” ( SA 60n ; my empha- sis ) . The " love " which the speaker gets is supposedly ...
... woman , and therefore she is " pricked . . . out for women's plea- sure " in the sense that she is " marked " with " the plea- sure which belongs to woman ” ( SA 60n ; my empha- sis ) . The " love " which the speaker gets is supposedly ...
Inhalt
Representation and Reformation in Measure for Measure | 1 |
Miscarried Narratives in Much | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Urheberrecht | |
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actor Antony argues audience authority Bastard becomes Benedick body Caesar Chalmers character Christian claims Clarissa Cleopatra comedy comic complaint conventional Cordelia Coriolanus critics cultural death desire drama early modern edition Elizabeth Elizabethan England English erotic essay fact Falstaff father female figure Ganymede gender Hamlet Henry Henry VI Hippolyta homosexual identity Irving's Jessica Jewish Jews Joan John King King Lear language Lear Leontes lines London Lord lover Lover's Complaint Lucrece Macbeth magic male Margaret Marranos marriage Measure for Measure ment Merchant of Venice moral Oldcastle Ophelia performance Pericles Petrarchan play's poems poet political Polixenes Prince Protestant Queen reading reference reformation relationship Renaissance representation role scene seems sense sexual Shake Shakespeare Shylock social sodomy sonnet 20 sonnets speare's speech stage suggests theater theatrical thee Theseus thou tion Titus Andronicus tragedy University Press Winter's Tale woman women words York