Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese MusicThe Balinese gamelan, with its shimmering tones, breathless pace, and compelling musical language, has long captivated musicians, composers, artists, and travelers. Here, Michael Tenzer offers a comprehensive and durable study of this sophisticated musical tradition, focusing on the preeminent twentieth-century genre, gamelan gong kebyar. Combining the tools of the anthropologist, composer, music theorist, and performer, Tenzer moves fluidly between ethnography and technical discussions of musical composition and structure. In an approach as intricate as one might expect in studies of Western classical music, Tenzer's rigorous application of music theory and analysis to a non-Western orchestral genre is wholly original. Illustrated throughout, the book also includes nearly 100 pages of musical transcription (in Western notation) that correlate with 55 separate tracks compiled on two accompanying compact discs. The most ambitious work on gamelan since Colin McPhee's classic Music in Bali, this book will interest musicians of all kinds and anyone interested in the art and culture of Southeast Asia, Indonesia, and Bali. |
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Inhalt
Approaches to Kebyar | 21 |
The Social Construction of Kebyar Ensemble Virtuosity | 71 |
Contexts for Kebyar Theory | 115 |
Structure in Kebyar | 145 |
Melody and Figuration | 183 |
Meter and Drumming | 249 |
Form and Composition | 305 |
Kebyar in Bali and Abroad | 387 |
Kebyar and Ideas of New Music | 433 |
461 | |
471 | |
Andere Ausgaben - Alle anzeigen
Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music Michael Tenzer Eingeschränkte Leseprobe - 2000 |
Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music Michael Tenzer Keine Leseprobe verfügbar - 2000 |
Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music Michael Tenzer Keine Leseprobe verfügbar - 2000 |
Häufige Begriffe und Wortgruppen
active affect angsel associations Bali Balinese banjar beats beginning called calung chapter character characteristic close common complex composers composition context continuity contrast court cultural cycle cyclic dance dang described developed ding discussion drumming dung dynamic elaboration ensemble example extended Figure final four gamelan gangsa gdé gending genres given gong important individual interlocking jegogan kebyar kendang kind kotekan lanang leading lelambatan less majalan McPhee means melody meter metric move movement musicians neliti ngubeng opening original pair patterns pengawak pengecet performance piece played pokok position practice present range recording refer repeated repertoire result reyong rhythm rhythmic ritual role scale sekaha shape single social sound specific strata stress strokes structure STSI style tabuh tempo texture tion tones topic traditional trompong tuned types ugal village wadon Wayan Western