Prose of the British Romantic Movement

admiration appear beauty become better called cause character Coleridge common criticism distinct effect English equally Essay existence expression fact faculty fancy feelings figures genius give given ground hand heart hope human idea images imagination impression individual instance interest Italy John kind knowledge language least less light lines living London look Lost manner matter means mind moral nature never object observation once opinion original painting particular passage passed passion perhaps person philosopher picture play pleasure poem poet poetic poetry political present principle produced published reader reason reference represented seems seen sense sound speak spirit style supposed thing thou thought tion true truth turn understanding University whole Wordsworth write