Sydney Studies in English, Band 28University of Sydney., 2002 |
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Seite 23
... desire and to receive its gifts . For Antony desire is circular , baseless , vertiginous , in consequence of its law of origin : a vacuum excites desire and desire rushes vainly to fill the vacuum . This vacuous regress or gap in nature ...
... desire and to receive its gifts . For Antony desire is circular , baseless , vertiginous , in consequence of its law of origin : a vacuum excites desire and desire rushes vainly to fill the vacuum . This vacuous regress or gap in nature ...
Seite 24
... desire for Cleopatra will put Antony on a treadmill is painful only in part , for his ever - renewed appetite is transmuted from vileness to something becoming . Antony calls Cleopatra a ' wrangling queen , Whom everything becomes ...
... desire for Cleopatra will put Antony on a treadmill is painful only in part , for his ever - renewed appetite is transmuted from vileness to something becoming . Antony calls Cleopatra a ' wrangling queen , Whom everything becomes ...
Seite 25
... desire that is androgynous , but not happily so . The oscillation in locating Antony between marble pillar and muddy ooze parallels that between strait - laced Roman morality and the sexual decadence that the Romans associate with ...
... desire that is androgynous , but not happily so . The oscillation in locating Antony between marble pillar and muddy ooze parallels that between strait - laced Roman morality and the sexual decadence that the Romans associate with ...
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Aboriginal poets actors Anthony Miller Antony and Cleopatra Antony's audience Australian banana battle Beckettian Bruce Dawe Brutus Cambridge Cassius catachresis character Cordelia cultural materialists Dawe's decantation dramatic Edelman Edmond English Enobarbus Essays experience feel female feminism feminists Folio text Fool gender Goldstein's book Gonerill Grove Press historicists identity images immigrants individual Julius Caesar King Lear Knowlson Kosky's Krapp Krapp's Last Tape language laugh Lear's London lovers Mardian's means memory metaphor migrants military mother narrative narrative's narrator Nineteen Eighty-Four O'Brien Orwell's novel Party Party's past patriarchal performance perspective Peter Skrzynecki play Plutarch poem poetic poetry political Proust Quarto reader reading Regan regret relationship rememoration Renaissance Roman Samuel Beckett satire scene sense serpent Shakespeare significance silence Skrzynecki stage direction story suggests suicide sword Sydney Sylvia Plath symbolic theatre theatrical approach theatrical critics triumph tropes University of Sydney University Press voice Winston Winston's view words York