Film ParodyBFI Pub., 2000 - 153 Seiten "Academy Awards now go to film parodies, audiences make a star of the parodic actor Leslie Neilson, and even the "band" Spinal Tap does a live reunion tour. In other words, parody has been entirely co-opted by a culture, and a culture industry, steeped in irony. For these reasons and more, Harries concludes that film parody is one of the most vibrant modes of contemporary film-making."--BOOK JACKET. |
Inhalt
Spoofing Traditions 11 | 11 |
Transtextual Targets | 22 |
Reiteration | 43 |
Urheberrecht | |
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actor Airplane argues Beau Geste becomes begins Big Bus Blazing Saddles camera canon cartoon character cinematic classic comedy context conventions create critical critique cultural difference disruption elements evoked exaggeration example expectations extra-textual extraneous film genre film parody film-making film's filmic footage function Hardware Wars High Anxiety Hollywood Hot Shots incongruity intertextual inversion ironic irony Keaton Last Remake lexical units Linda Hutcheon literalization meaning Mel Brooks metatext misdirection mode Movie Naked Gun narrative norms occurs Paramount Pictures parodic discourse parodic method parodic text parody films parody's played Porklips potential production prototext reading reiteration Remake of Beau role Rustler's Rhapsody satire scene self-reflexively shift similarity Spaceballs specific spectator spectatorial spectatorship Spinal Tap spoof Spy Hard Star Wars style stylistic syntactic syntax target text targeted logonomic system television textual transformation transgression transtextuality typically utilized viewer voice-over Warner Bros Wear Plaid Western Western genre Young Frankenstein Zelig
Verweise auf dieses Buch
Watching with The Simpsons: Television, Parody, and Intertextuality Jonathan Gray Eingeschränkte Leseprobe - 2006 |