Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Andere Ausgaben - Alle anzeigen
acts afterwards appeared artistic became Berlin born called century character church collection complete composer compositions concerts contains death died early edition effect England English example expression father Festival four French gave German give given hand important interest Italian Italy July June kind known later Leipzig less letters London March Mass master means melody Mendelssohn mentioned minor Mode movement Mozart musicians natural never opera oratorio orchestra organ original Paris perfect performed period piano pianoforte pieces played popular position present printed produced published pupil received remained returned says singer singing Society Sonata songs soprano strings style success sung Symphony Theatre third tion took violin voices whole writing written wrote
Seite 376 - Prentice. I have often wished that our tragedians would copy after this great master in action. Could they make the same use of their arms and legs, and inform their faces with as significant looks and passions, how glorious would an English tragedy appear with that action which is capable of giving a dignity to the forced thoughts, cold conceits, and unnatural expressions of an Italian opera...
Seite 63 - Nous entrerons dans la carrière Quand nos aînés n'y seront plus ; Nous y trouverons leur poussière Et la trace de leurs vertus. Bien moins jaloux de leur survivre Que de partager leur cercueil, Nous aurons le sublime orgueil De les venger ou de les suivre ! Aux armes, citoyens ! formez vos bataillons ! Marchons ! qu'un sang impur abreuve nos sillons ! 1794 M.-J.
Seite 296 - Cherubino, alia .vittoria, alia gloria militar," which he gave out with Stentorian lungs, the effect was electricity itself, for the whole of the performers on the stage, and those in the orchestra, as if actuated by one feeling of delight, vociferated Bravo ! Bravo! Maestro. Viva, viva, grande Mozart.
Seite 303 - After supper, the young branches of our host had a dance, and Mozart joined them. Madame Mozart told me that, great as his genius was, he was an enthusiast in dancing, and often said that his taste lay in that art rather than in music.
Seite 376 - I AM very sorry to find, by the opera bills for this day, that we are likely to lose the greatest performer in dramatic music that is now living, or that perhaps ever appeared upon a stage.
Seite 375 - Nicolini, who sets off the character he bears in an opera by his action, as much as he does the words of it by his Voice.
Seite 16 - The first sett, Of Italian Madrigalls Englished, Not to the sense of the original! dittie, but after the affection of the Noate.
Seite 191 - Vogler' s house. This notorious Abbe, regarded by some people MEYERBEER. 821 as the most profound theoretician of Germany, by others (including Mozart) as an impudent charlatan, was possessed of some originality, much eccentricity, and unbounded conceit, not so much a learned man as an enthusiast for learning in the abstract, and with a mania for instructing others. His imperturbable self-confidence ('he gives out that he will make a composer in three weeks and a singer in six months...
Seite 49 - Henry to revive and rectifie the same by ordayning an establishment of one certaine measure, which was beaten in his presence at Greenwich, anno 1610.