Popular Music and Society

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Wiley, 12.07.1995 - 277 Seiten
Drawing on the theories of Adorno and Weber, Longhurst examines the contemporary organization of the music industry, the social production of music, and the effects of technological change on production. The history and politics of popular music are discussed, as are the connections of popular music and sexuality. Issues such as authenticity, stemming from the debates around black music, are addressed, and several different ways of studying the texts of popular music are reviewed. The literature on subculture and music is looked at in the context of an examination of the audience for pop music. Developing work on fans is considered, as are contemporary approaches which problematize relationships of production and consumption. Clearly written and well illustrated, Popular Music and Society will be an excellent textbook for students in the sociology of culture, cultural studies, and media and communication studies.

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Autoren-Profil (1995)

Brian Longhurst is lecturer in sociology at the University of Salford. His previous books include Karl Mannheim and the Contemporary Sociology of Knowledge (1989) and Discourse, Power and Justice: A new Approach to the Socilogy of Imprisonment (co-author, 1994).

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