The Mystification of George ChapmanDuke University Press, 1989 - 186 Seiten George Chapman (1559-1634) continues to cut a significant figure as a dramatist and translator of Homer, but his reputation as a poet has fared poorly. The common critical view has made him notorious as a writer of "difficult" poetry, to the point of being considered guilty of deliberate and wanton obscurity. Gerald Snare argues that the fact of the matter is quite the reverse: his supposed difficulty as well as the moral and philosophical imperatives that are assumed to dominate his work are in fact the construction of critics. The Mystification of George Chapman is an argument against the accepted view of Chapman's art. Snare examines Hero and Leander to determine the nature of its poetics and its relation to Mousaios and Marlowe; he reports on the imitative strategies of Ovid's Banquet of Sense and declares that it deserves a reputation quite different from that of the most difficult poem in the English language; and he refers to Chapman's own criticism found in the prefaces and notes often attached to his poems. The author finds Chapman's poems were responses to the critical pressures inherent in adapting Greek, Latin, and contemporaneous English authors to his art, and he disputes the modern critical tendency to assume that doctrine, and not poetic practice, was the primary source of poetic energy in the Renaissance. |
Inhalt
The Mystification of George Chapman | 7 |
The Practical Poetics of Hero and Leander | 47 |
On the Moral Reconstruction of Hero and Leander | 71 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Alcmane articulated assumptions Banquet of Sence beauty Braden Callimachus Ceremony Ceremony's Chap Chapman's poems conceit concludes construction context Corynna critical define delight describe digression discourse ecphrasis elaborate Eliot Elizabethan English epic epic simile epistle erotic essay Eucharis Eucharis's explication feeling fiction figure Frank Kermode George Chapman glosser glosses Gordon Hero and Leander Hero's Homer Hymen hymn Iliads imitation implications intellectual interpretation invention judgment Kermode kind lines literary London loue lovers Marlowe Marlowe's means metamorphosis metaphor moral Mousaios Mousaios's Musaeus narrative narrator object obscure observe Ouids Banquet Ovid Ovid's Ovidian philosophical poet poet's poetic poetry practice reader relation Renaissance rhetorical rites Schoell School of Night seems sense Sestiad sexual Shadow of Night Shakespeare Shepheardes Calender sight simile soul sounds stanza story Swinburne Swinburne's T. S. Eliot thought tion torch transforms translation University Press Venus verse voice Waddington words