Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 70Gale Research Company, 1984 |
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Seite 201
... York's subsequent transfer of loyalty to Bolingbroke , argu- ing that York's shift in attitude spurs a similar response within the audience . Like Kelly , James A. Riddell ( 1979 ) finds York to be a crucial character in the play in ...
... York's subsequent transfer of loyalty to Bolingbroke , argu- ing that York's shift in attitude spurs a similar response within the audience . Like Kelly , James A. Riddell ( 1979 ) finds York to be a crucial character in the play in ...
Seite 227
... York's honor and allegiance is more fully delineated in the conflict between duty which binds him to Richard and conscience which would lead him to support Bolingbroke . Near the end of II . i , after York has warned Richard of ...
... York's honor and allegiance is more fully delineated in the conflict between duty which binds him to Richard and conscience which would lead him to support Bolingbroke . Near the end of II . i , after York has warned Richard of ...
Seite 231
... York's loyalty is something akin to divine right , the working of God's " high will . " The ensuing scene in which York and his Duchess alternately appeal to the king for justice and mercy is a ritual enactment , superficially of York's ...
... York's loyalty is something akin to divine right , the working of God's " high will . " The ensuing scene in which York and his Duchess alternately appeal to the king for justice and mercy is a ritual enactment , superficially of York's ...
Inhalt
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
Urheberrecht | |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's