English Critical Essays (nineteenth Century)Edmund David Jones H. Milford, Oxford University Press, 1924 - 610 Seiten |
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... Coleridge's Writings . ( 1866 ) . RALPH WALDO EMERSON , 1803-1882 Shakespeare ; or , the Poet . ( 1850 ) JAMES RUSSELL LOWELL , 1819-1891 Wordsworth . ( 1875 ) · 398 430 492 535 558 WILLIAM WORDSWORTH 1770-1850 POETRY AND POETIC DICTION ...
... Coleridge's Writings . ( 1866 ) . RALPH WALDO EMERSON , 1803-1882 Shakespeare ; or , the Poet . ( 1850 ) JAMES RUSSELL LOWELL , 1819-1891 Wordsworth . ( 1875 ) · 398 430 492 535 558 WILLIAM WORDSWORTH 1770-1850 POETRY AND POETIC DICTION ...
Seite 39
... phraseology for which that passport is necessary , even where it may be graceful at all , will be little valued by the judicious . 40 2 SAMUEL TAYLOR COLERIDGE 1772-1834 WORDSWORTH'S THEORY OF DICTION POETRY AND POETIC DICTION 39.
... phraseology for which that passport is necessary , even where it may be graceful at all , will be little valued by the judicious . 40 2 SAMUEL TAYLOR COLERIDGE 1772-1834 WORDSWORTH'S THEORY OF DICTION POETRY AND POETIC DICTION 39.
Seite 40
Edmund David Jones. 40 2 SAMUEL TAYLOR COLERIDGE 1772-1834 WORDSWORTH'S THEORY OF DICTION [ Biographia Literaria , chap . xvii , 1817 ] As far as Mr. Wordsworth in his preface con- tended , and most ably contended ... COLERIDGE, 1772-1834.
Edmund David Jones. 40 2 SAMUEL TAYLOR COLERIDGE 1772-1834 WORDSWORTH'S THEORY OF DICTION [ Biographia Literaria , chap . xvii , 1817 ] As far as Mr. Wordsworth in his preface con- tended , and most ably contended ... COLERIDGE, 1772-1834.
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... be found in the reader's conscious feeling of his superiority awakened by the contrast presented to him ; even as for the same purpose the kings 6 and great barons of yore retained sometimes actual clowns 42 COLERIDGE.
... be found in the reader's conscious feeling of his superiority awakened by the contrast presented to him ; even as for the same purpose the kings 6 and great barons of yore retained sometimes actual clowns 42 COLERIDGE.
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... and incidents of nature are to prove a sufficient stimulant . And where these are not sufficient , the mind contracts and hardens by want of stimulants : and the man becomes selfish , sensual , gross , and hard - 44 COLERIDGE.
... and incidents of nature are to prove a sufficient stimulant . And where these are not sufficient , the mind contracts and hardens by want of stimulants : and the man becomes selfish , sensual , gross , and hard - 44 COLERIDGE.
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Häufige Begriffe und Wortgruppen
action Aeschylus artist beauty become Ben Jonson called character charm Chaucer Coleridge Coleridge's colour composition criticism Dante delight distinction divine drama effect emotion excellence excitement expression fact faculty Faerie Queene fancy feeling genius give Goethe Grasmere Greek Hamlet heart heaven highest human idea images imagination imitation impression instance intellectual judgement kind language less literature living look Lyrical Ballads Macbeth manner means metre metrical Milton mind modern moral nature never object Orlando Furioso Othello painting Paradise Lost passion pathetic fallacy peculiar perfect perhaps person Petrarch philosopher pleasure poem poet poet's poetical poetry present Priam principle produced prose reader reason rhyme sacred sacred poet seems sense Shakespeare sort soul speak Spenser spirit stanza style sympathy taste things thought tion tragedy true truth uncon verse whole William Wordsworth words Wordsworth write
Beliebte Passagen
Seite 332 - A man so various, that he seemed to be Not one, but all mankind's epitome : Stiff in opinions, always in the wrong, Was everything by starts, and nothing long; But, in the course of one revolving moon, Was chemist, fiddler, statesman, and buffoon ; Then all for women, painting, rhyming, drinking, Besides ten thousand freaks that died in thinking.
Seite 337 - Favours to none, to all she smiles extends ; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride...
Seite 122 - Poets, according to the circumstances of the age and nation in which they appeared, were called, in the earlier epochs of the world, legislators, or prophets : a poet essentially comprises and unites both these characters. For he not only beholds intensely the present as it is, and discovers those laws according to which present things ought to be ordered, but he beholds the future in the present, and his thoughts are the germs of the flower and the fruit of latest time.
Seite 65 - Yet nature is made better by no mean But nature makes that mean; so over that art, Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race. This is an art Which does mend nature — change it rather; but The art itself is nature.
Seite 332 - Blest madman ! who could every hour employ With something new to wish or to enjoy! Railing and praising were his usual themes, And both (to show his judgment) in extremes; So over violent, or over civil, That every man, with him, was God or devil.
Seite 130 - Poetry strengthens the faculty which is the organ of the moral nature of man in ^the same manner as exercise strengthens a limb. A poet therefore would do ill to embody his own conceptions of right and wrong, which are usually those of his place and time, in his poetical creations, which participate in neither.
Seite 110 - ... from the ordinary purposes of life, but exerting its powers, as the wind blows where it listeth, at will upon the corruptions and abuses of mankind. What have looks or tones to do with that sublime identification of his age with that of the heavens themselves, when, in his reproaches to them for conniving at the injustice of his children, he reminds them that
Seite 487 - To their fathers and mothers having risen Out of some subterraneous prison Into which they were trepanned Long time ago in a mighty band Out of Hamelin town in Brunswick land, But how or why, they don't understand.
Seite 47 - Humble and rustic life was generally chosen because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...
Seite 130 - The great secret of morals is love ; or a going out of our own nature, and an identification of ourselves with the beautiful which 30 exists in thought, action, or person, not our own.