Vocal Authority: Singing Style and IdeologyCambridge University Press, 02.11.2006 - 236 Seiten Vocal Authority is about how singing styles develop and change, why classical singing is different from pop singing, and what singers actually mean when they sing. It takes an historical perspective, beginning with the ancient world, looking at changes in style up to the present day and explains why, for example, Freddie Mercury and Montserrat Caballe could sing together. |
Inhalt
Classical ideology and the prehistory of singing I | 1 |
religion literacy and control | 14 |
The Italian baroque revolution | 31 |
The development of the modern voice | 47 |
Concerts choirs and music halls | 67 |
swing and subtext | 87 |
twentiethcentury | 113 |
moments of change since the forties | 133 |
Singing and social processes | 158 |
Towards a theory of vocal style | 190 |
Notes | 200 |
206 | |
216 | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accent Armstrong articulation audience ballad bands baroque Beatles became become blues singers bourgeois breath castrati chant charts choir choral Christian church classical music classical singing composers concerts context countertenor country music Crosby cultural dance discipline dominant earliest early music elite Elvis Elvis Presley English example expression extended vocal techniques function gestures hegemonic idea ideological improvised instruments Italian jazz language larynx larynx position listeners mainstream meanings medieval Mick Jagger modern music hall musicians musicology nineteenth century notation opera oral performance perhaps period polyphony pop music popular music possible potential Presley produced pronunciation recording Renaissance repertoire rhetoric rhythm rock music rock'n'roll sexuality significant similar Sinatra singers singing style social society socio-musical solo songs sound speech stylistic successful suggests sung taste Teagarden tempo tenor theatre Tin Pan Alley tradition treatise variety vibrato voice voix sombrée vowels words written
Verweise auf dieses Buch
The Cultural Study of Music: A Critical Introduction Martin Clayton,Trevor Herbert,Richard Middleton Eingeschränkte Leseprobe - 2003 |
Bach Performance Practice, 1945-1975: A Comprehensive Review of ..., Band 1 Dorottya Fabian Keine Leseprobe verfügbar - 2003 |