| Irving Babbitt, Van Wyck Brooks, William Crary Brownell, Ernest Augustus Boyd, Thomas Stearns Eliot, Henry Louis Mencken, Stuart Pratt Sherman, Joel Elias Spingarn, George Edward Woodberry - 1924 - 342 Seiten
...shred of platinum. It may partly or exclusively operate upon the experience of the man himself; but, the more perfect the artist, the more completely separate...the man who suffers and the mind which creates; the more perfectly will the mind digest and transmute the passions which are its material. The experience,... | |
| Irving Babbitt - 1924 - 342 Seiten
...shred of platinum. It may partly or exclusively operate upon the experience of the man himself; but, the more perfect the artist, the more completely separate in him will be the man who suffers and the 220 mind which creates; the more perfectly will the mind digest and transmute the passions which are... | |
| William Thomson Hastings - 1928 - 454 Seiten
...shred of platinum. It may partly or exclusively operate upon the experience of the man himself; but, the more perfect the artist, the more completely separate...the man who suffers and the mind which creates; the more perfectly will the mind digest and transmute the passions which are its material. The experience,... | |
| Thomas Stearns Eliot - 1928 - 206 Seiten
...exclusively operate upon the experience of the man himself ; but, the more perfect the artist, the re completely separate in him will be the man who suffers and the mind which creates ; the more perfectly will the mind digest and transmute the passions which are its material. The experience,... | |
| Joseph McLaughlin - 2000 - 260 Seiten
...shred of platinum. It may partly or exclusively operate upon the experience of the man himself; but, the more perfect the artist, the more completely separate...the man who suffers and the mind which creates; the more perfectly will the mind digest and transmute the passions which are its material.25 In the presence... | |
| David Ellis - 2000 - 214 Seiten
...shred of platinum. It may partly or exclusively operate upon the experience of the man himself; but, the more perfect the artist, the more completely separate...be the man who suffers and the mind which creates; . . .' TS Eliot, "Tradition and the Individual Talent' in Selected Essays (1932), p. 18. 18. Bernard... | |
| Ann Vickery - 2000 - 374 Seiten
...Watkins's Gesualdo, vii- viii. 2 1 . Hejinian, A Thought Is the Bride, n. pag. 22. TS Eliot argues "the more perfect the artist, the more completely...be the man who suffers and the mind which creates." See "Tradition and the Individual Talent," Selected Prose ofT. S. Eliot, ed. Frank Kermode (London:... | |
| Roger D. Sell - 2000 - 372 Seiten
...Wimsatt's The Verbal Icon (1979 [1955]: 5), but the whole argument harks back to TS Eliot's dictum, "The more perfect the artist, the more completely...be the man who suffers and the mind which creates" (Eliot 1 95 1 [ 1 9 1 9]b: 1 8). Hence Wimsatt's distinction between "passion as objectified or embodied... | |
| Nick Selby - 2001 - 200 Seiten
...shred of platinum. It may partly or exclusively operate upon the experience of the man himself; but, the more perfect the artist, the more completely separate...the man who suffers and the mind which creates; the more perfectly will the mind digest and transmute the passions which are its material. The experience,... | |
| Peter J. Conradi - 2001 - 782 Seiten
...be that she had finished with and shed the earlier persona. She certainly agreed with TS Eliot that 'the more perfect the artist, the more completely...be the man who suffers and the mind which creates.' Suffering interested her. I believed, as Dorothy Thompson - sister-in-law to Frank Thompson, who loved... | |
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