The Dramatic Censor: Or, Critical Companion ... |
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action admirably affection againſt agreeable alſo appears audience beautiful beginning better called certainly character circumſtance comes concerning conſequence conſiderable critical daughter death deſign doubt enters equal excellent expreſſed expreſſion extremely fair fall father favour feelings figure firſt fome former gives happily heart himſelf humour huſband idea imagination introduced juſt juſtice King lady laſt light lines manner matter means mention merit mind moſt muſt nature never object occaſions opens paſſages paſſion performer perſon picture piece play pleaſing plot preſent Preſerved prince principles reaſon received remark replies repreſentation reſpect ſays ſcene ſecond ſee ſeems ſeen ſentiments ſeveral ſhall ſhe ſhews ſhort ſhould ſoliloquy ſome ſpeaks ſpeech ſpirit ſtage ſtate ſtriking ſtrong ſuch ſuppoſe tender theſe thing third thoſe throws tion tragedy turn uſeful Venice voice wants whole whoſe wife wiſh young
Beliebte Passagen
Seite 100 - I have lived long enough : my way of life Is fall'n into the sear, the yellow leaf ; And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
Seite 464 - Sweet are the uses of adversity, Which, like the toad.' ugly and venomous, Wears yet a precious jewel in his head ; And this our life, exempt from public haunt, Finds tongues in trees, books in the running brooks, Sermons in, stones, and good in every thing.
Seite 464 - The seasons' difference; as, the icy fang, And churlish chiding of the winter's wind; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say,— This is no flattery: these are counsellors That feelingly persuade me what I am.
Seite 289 - For do but note a wild and wanton herd, Or race of youthful and unhandled colts, Fetching mad bounds, bellowing and neighing loud, Which is the hot condition of their blood ; If they but hear perchance a trumpet sound, Or any air of music touch their ears, You shall perceive them make a mutual stand, Their savage eyes turn'd to a modest gaze By the sweet power of music...
Seite 85 - This guest of summer, The temple-haunting martlet, does approve By his loved mansionry that the heaven's breath Smells wooingly here : no jutty, frieze, Buttress, nor coign of vantage, but this bird Hath made his pendant bed and procreant cradle : Where they most breed and haunt, I have observed The air is delicate.
Seite 141 - I'll see, before I doubt; when I doubt, prove; And, on the proof, there is no more but this, — Away at once with love, or jealousy.
Seite 286 - Tis mightieft in the mightieft; it becomes The throned monarch better than his crown...
Seite 62 - Suppose we lampoon'd all the pretty women in town and left her out ; or, what if we made a ball, and forgot to invite her, with one or two of the ugliest.
Seite 467 - If ever been where bells have knoll'd to church ; If ever sat at any good man's feast ; If ever from your eyelids wiped a tear, And know what 'tis to pity and be pitied ; Let gentleness my strong enforcement be : In the which hope, I blush, and hide my sword.
Seite 102 - The way to dufty death. Out, out, brief candle ! Life's but a walking fhadow ; a poor player, That ftruts and frets his hour upon the ftage, And then is heard no more : it is a tale Told by an idiot, full of found and fury, Signifying nothing.
Bibliografische Informationen
| Titel | The Dramatic Censor: Or, Critical Companion ... Band 1 von The Dramatic Censor, Francis Gentleman Band 1 von The Dramatic Censor: Or, Critical Companion, Francis Gentleman |
| Autor/in | Francis Gentleman |
| Verlag | J. Bell, 1770 |
| Original von | New York Public Library |
| Digitalisiert | 4. Jan. 2007 |
| Zitat exportieren | BiBTeX EndNote RefMan |