Mercer University Press, 2001 - 201 Seiten
Keirkegaard's Metaphors offers an explaination of a more accessible way to understand Kierkegarrd by analyzing his persistent use of metaphors.
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E Language Decay Ambiguities Opposition and the Need for Passionate Tension
Concealing Collisions of the Self The Esthetic Poetization or Metaphor
the Romantic Tradition
C Becoming Entangled in Metaphor and Acting Fatally
C You Are the One
Enacting Collisions of the Self The Religious Literalization of Metaphor
The Coming into Existence of Metaphor
B Rejecting or Annulling Metaphor to Embrace It Existentially
C Enacting and Literalizing Metaphor through Imitation Suffering and Atonement
D The Woman Who Was a Sinner
Metaphor and Dying to the World
abstract according actuality Adler appropriate asserts authorship become begins calls choose Christ Christian collision comes communication concept concrete considers constructions context continually contradiction dialectical difference direct directly Discourses discussion divine earnestness Either/Or essential esthetic eternal ethical ethical-religious existence existential experience expression faith figurative given Gouwens Hong human idea ideal imagination imitation indirect individual infinite interesting Irony Johannes Climacus journal entry Judge Kierke Kierkegaard writes knowledge language limits linguistic literally lives look means metaphor namely nature notes objective offers oneself opposites parable particular passion person philosophical poet poetic poetry Point of View possibility Postscript Practice present Press pseudonymous reader reflection relation relationship religious requires romantic sense situations speak speech sphere spirit Stages stands striving suffering suggests task thing thought tion true truth ultimately understanding University various vehicle wants York young
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