Arnold's Magazine of the Fine Arts: And Journal of Literature and Science, Band 4M.Arnold, 1832 |
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Seite 5
... knowledge of the principles of painting . None ever equalled this artist in giving the spirit of the painter , as seen in his loose and characteristic sketches . Of his powers in this way , his etchings after the drawings of Guercino ...
... knowledge of the principles of painting . None ever equalled this artist in giving the spirit of the painter , as seen in his loose and characteristic sketches . Of his powers in this way , his etchings after the drawings of Guercino ...
Seite 14
... knowledge of the principles of painting from a professor of the name of West , whose plan of teaching , Mr. Dixon always spoke of as being calculated to ground his pupils in the true principles of art , making the knowledge of anatomy ...
... knowledge of the principles of painting from a professor of the name of West , whose plan of teaching , Mr. Dixon always spoke of as being calculated to ground his pupils in the true principles of art , making the knowledge of anatomy ...
Seite 42
... knowledge will confirm the appropriation . Yet there is undoubted authority for the names of certain individuals as architects , whose works are not exactly known at this period , but whose fame must have been acquired by the eminent ...
... knowledge will confirm the appropriation . Yet there is undoubted authority for the names of certain individuals as architects , whose works are not exactly known at this period , but whose fame must have been acquired by the eminent ...
Seite 49
... knowledge of the art was great , and most meritoriously acquired by the laborious industry of a long life . His skill , however , was handicraft ; and his merits more apparent in accessories than in essentials . The large picture of ...
... knowledge of the art was great , and most meritoriously acquired by the laborious industry of a long life . His skill , however , was handicraft ; and his merits more apparent in accessories than in essentials . The large picture of ...
Seite 71
... knowledge of mankind , and frequent- ly won upon their good will by a sort of oblique flattery , which , though it often sounded rough and even abusive , yet conveyed an obvious compliment to the talent or understanding of those it was ...
... knowledge of mankind , and frequent- ly won upon their good will by a sort of oblique flattery , which , though it often sounded rough and even abusive , yet conveyed an obvious compliment to the talent or understanding of those it was ...
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Häufige Begriffe und Wortgruppen
admiration antique appear architect architectural artist Bartolozzi beauty Bequeathed Bolsover Castle British building canvas Caracci Caravaggio celebrated character chiar'-oscuro church Collection Colonna Palace colour composition considered Correggio Cosway Domenichino drawing Earl effect elevation Engraved Gems equal excellence execution exhibition expression fancy favour feeling figures Fitzwilliam Gallery genius GERARD CHRISTMAS Giorgione give grace grandeur Guercino head honour House imitation Inigo Jones invention labour Lady Landscape late Lord Lawrence less Lord Fitzwilliam manner master merits mezzotint Michael Angelo mind modern National nature never noble objects observed opinion painter painting Palace patronage pencil perfect picture poet porticos portrait possession powers Presented by Sir principles prints racter Raffaelle regard remarks Rembrandt Roman architecture Rome Royal Academy Rubens Sir George Beaumont Sir Joshua Reynolds sketch style talent taste Tintoretto tion Titian truth whole William Holwell Carr
Beliebte Passagen
Seite 37 - The verse and sculpture bore an equal part, And Art reflected images to Art. Oh when shall Britain, conscious of her claim, Stand emulous of Greek and Roman fame?
Seite 26 - Historian, have no dominion over the Poet or the Painter. With us, History is made to bend and conform to this great idea of Art. And why? Because these Arts, in their highest province, are not addressed to the gross senses ; but to the desires of the mind, to that spark of divinity which we have within, impatient of being circumscribed and pent up by the world which is about us.
Seite 18 - ... great labour ; and yet he, of all men that ever lived, might make the greatest pretensions to the efficacy of native genius and inspiration.
Seite 61 - Lorrain finished more minutely, as becomes a Professor in any particular branch, yet there is such an airiness and facility in the landscapes of Rubens, that a painter would as soon wish to be the author of them, as those of Claude, or any other artist whatever.
Seite 22 - ... with all the modes of life. His character requires that he estimate the happiness and misery of every condition; observe the power of all the passions in all their combinations, and trace the changes of the human mind as they are modified by various institutions and accidental influences of climate or custom, from the sprightliness of infancy to the despondence of decrepitude.
Seite 155 - See, I have called by name Bezaleel the son of Uri, the son of Hur, of the tribe of Judah : and I have filled him with the spirit of God, in wisdom, and in understanding, and in knowledge, and in all manner of workmanship...
Seite 225 - The High and Mighty Prince James, by the Grace of God King of England, Scotland, Fraunce, and Ireland, Defender of the Faith.
Seite 200 - Is often seen thy beauty to abide ; Thy dwelling is in lowly cottage walls, That in the thickets of the woodbine hide ; With hum of bees around, and from the side Of woody hills some little bubbling spring, Shining along through banks with harebells dyed; And many a bird to warble on the wing, When morn her saffron robe o'er heaven and earth doth fling.
Seite 59 - Gallery ; and if to these we add the many towns, churches, and private cabinets where a single picture of Rubens confers eminence, we cannot hesitate to place him in the first rank of illustrious painters.