Shakespearean CriticismGale, 2004 - 384 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
Im Buch
Ergebnisse 1-3 von 56
Seite 91
... Katherine and Wolsey she appeals to the Pope and bolts from the court . Matched are long , self - justifying speeches of the king , Katherine , and Wolsey . The king at the end introduces a new factor by calling for Cranmer . In the ...
... Katherine and Wolsey she appeals to the Pope and bolts from the court . Matched are long , self - justifying speeches of the king , Katherine , and Wolsey . The king at the end introduces a new factor by calling for Cranmer . In the ...
Seite 96
... Katherine enters and appeals to Henry on behalf of his subjects , who are being taxed to the point of rebellion . She says they blame not only Wolsey , but also the King ( 1.2.19-30 ) . With the best and most compassionate intentions ...
... Katherine enters and appeals to Henry on behalf of his subjects , who are being taxed to the point of rebellion . She says they blame not only Wolsey , but also the King ( 1.2.19-30 ) . With the best and most compassionate intentions ...
Seite 121
Michelle Lee. royally inspired Platonic vision represents Henry's sanctification of Katherine and , on the other , that she submits , even in imagination , to the form associated with sovereign power . However contradictorily , Katherine's ...
Michelle Lee. royally inspired Platonic vision represents Henry's sanctification of Katherine and , on the other , that she submits , even in imagination , to the form associated with sovereign power . However contradictorily , Katherine's ...
Inhalt
Hamlet | 1 |
Character Studies | 14 |
Production Reviews | 21 |
Urheberrecht | |
11 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors Anne argues audience body Bottom Buckingham Cambridge character chastity Claudius comedy comic complaint Cranmer crece critical culture Cymbeline death Demetrius dramatic Elizabeth Elizabethan England English essay date eyes fairies father figure Foakes Ghost Hamlet Hecuba Helena Henry VIII Henry's Hermia heroic Hippolyta honor Horatio human imagination James John Katherine King Henry Laertes literary London Lord Love's Labour's Lost lovers Lucrece's Lysander male marriage masque Midsummer Night's Dream modern notes Oberon Oxford performance play play's plot poem political Polonius Prince Prince Hamlet proverbs Puck Pyramus Pyramus and Thisbe Queen Rape of Lucrece Renaissance revenge rhetoric Richard Richard III role Roman royal satiric scene sense sexual Shake social soul speare speare's speech stage Studies suggests symbol Tarquin theater theatrical Theseus thou tion Titania tradition tragedy Univ University Press William William Shakespeare Wolsey woman women words York