Shakespearean CriticismGale, 2004 - 384 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Seite 181
... culture and time period " -which may account partially for the play's heightened levels of accessibility to and popular- ity with modern audiences , most of whom have been seduced gradually by the visual culture in which they live to ...
... culture and time period " -which may account partially for the play's heightened levels of accessibility to and popular- ity with modern audiences , most of whom have been seduced gradually by the visual culture in which they live to ...
Seite 229
... culture ( represented by the wedding couples ) as the London artisans ' play is to the culture represented by the Stanleys , the Veres , Burghley , and Elizabeth . Bottom's bid to play the roles of both lover and tyrant comments upon ...
... culture ( represented by the wedding couples ) as the London artisans ' play is to the culture represented by the Stanleys , the Veres , Burghley , and Elizabeth . Bottom's bid to play the roles of both lover and tyrant comments upon ...
Seite 251
... culture . The ' carnivalesque ' is for Bakhtin a genre synonymous with ' grotesque realism ' , but becomes also a sociological category . In the ancient world Bakhtin seems to have envisaged a homogeneous community with no distinctive ...
... culture . The ' carnivalesque ' is for Bakhtin a genre synonymous with ' grotesque realism ' , but becomes also a sociological category . In the ancient world Bakhtin seems to have envisaged a homogeneous community with no distinctive ...
Inhalt
Hamlet | 1 |
Character Studies | 14 |
Production Reviews | 21 |
Urheberrecht | |
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action actors Anne argues audience body Bottom Buckingham Cambridge character chastity Claudius comedy comic complaint Cranmer crece critical culture Cymbeline death Demetrius dramatic Elizabeth Elizabethan England English essay date eyes fairies father figure Foakes Ghost Hamlet Hecuba Helena Henry VIII Henry's Hermia heroic Hippolyta honor Horatio human imagination James John Katherine King Henry Laertes literary London Lord Love's Labour's Lost lovers Lucrece's Lysander male marriage masque Midsummer Night's Dream modern notes Oberon Oxford performance play play's plot poem political Polonius Prince Prince Hamlet proverbs Puck Pyramus Pyramus and Thisbe Queen Rape of Lucrece Renaissance revenge rhetoric Richard Richard III role Roman royal satiric scene sense sexual Shake social soul speare speare's speech stage Studies suggests symbol Tarquin theater theatrical Theseus thou tion Titania tradition tragedy Univ University Press William William Shakespeare Wolsey woman women words York