Shakespearean CriticismGale, 2004 - 384 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Seite 172
... desire and therefore its danger to the city , and he is unable to control desire in his citizens . Rather the ability to understand desire and to control it rests with the poet . The limitations of Theseus ' understanding and his power ...
... desire and therefore its danger to the city , and he is unable to control desire in his citizens . Rather the ability to understand desire and to control it rests with the poet . The limitations of Theseus ' understanding and his power ...
Seite 287
... desire is- sues only in the destruction of desire at the moment when its object is achieved is an idea to which Shake- speare recurred in the sonnets ( notably in 129 ) , and which is a ground - tone of thought in Macbeth and Ant- ony ...
... desire is- sues only in the destruction of desire at the moment when its object is achieved is an idea to which Shake- speare recurred in the sonnets ( notably in 129 ) , and which is a ground - tone of thought in Macbeth and Ant- ony ...
Seite 294
Michelle Lee. desire to know oneself , a desire to submit to passions , a desire to be dependent on and thereby vulnerable to others , and a desire to create a role rather than submit to a predetermined one . By encoding masculine desire ...
Michelle Lee. desire to know oneself , a desire to submit to passions , a desire to be dependent on and thereby vulnerable to others , and a desire to create a role rather than submit to a predetermined one . By encoding masculine desire ...
Inhalt
Hamlet | 1 |
Character Studies | 14 |
Production Reviews | 21 |
Urheberrecht | |
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