Shakespearean CriticismGale, 2004 - 384 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Seite 19
... political power , here political violence is endemic , and here a brilliant son might return to an uncle's ascension from his more carefree days as a student at Harvard , Oxford , or the Sorbonne . Think a cognate of Iraq or Syria ...
... political power , here political violence is endemic , and here a brilliant son might return to an uncle's ascension from his more carefree days as a student at Harvard , Oxford , or the Sorbonne . Think a cognate of Iraq or Syria ...
Seite 140
... political col- lapse from which the Tudors had already rescued Eng- land once under the guidance of Henry VII , as antici- pated at the end of Richard III . But this classic opening for a chronicle play shows us a political state under ...
... political col- lapse from which the Tudors had already rescued Eng- land once under the guidance of Henry VII , as antici- pated at the end of Richard III . But this classic opening for a chronicle play shows us a political state under ...
Seite 161
... political power . Both the writer and the monarch , we were instructed , achieve power through ideological imposition , what Franco Moretti called " the drama conceived by the sovereign . " Moretti's statement ap- pears in his essay in ...
... political power . Both the writer and the monarch , we were instructed , achieve power through ideological imposition , what Franco Moretti called " the drama conceived by the sovereign . " Moretti's statement ap- pears in his essay in ...
Inhalt
Hamlet | 1 |
Character Studies | 14 |
Production Reviews | 21 |
Urheberrecht | |
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