The Writer's Handbook, a Guide to the Art of Composition, Embracing a General Treatise on Composition and Style: Instruction in English Composition, with Exercises for Paraphrasing; and an Elaborate Letter-writer's Vademecum, in which are Numerous Rules and Suggestions Relating to the Epistolary Art
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The Writer's Handbook, a Guide to the Art of Composition, Embracing a ...
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appear arrangement attention beauty become better called cause character circumstances close common compared composition considered critics death effect employed English examples expression eyes fancy figure force frequently genius give grace greater hand happy hath heart human ideas imagination importance instances introduced kind knowledge language learning least leave less light literary lived look manner matter meaning metaphor mind nature necessary never object observed occasion opinion particular pass passage passion perfect perhaps period person pleasure poet poetry possessed precision present produce proper publisher qualities reader reason regard remarks requires resemblance rule seems sense sentence sentiments soul sound speak strength style success taste things thou thought tion truth whole words writer written young
Seite 160 - Thou hast brought a vine out of Egypt : Thou hast cast out the heathen, and planted it. Thou preparedst room before it, And didst cause it to take deep root, And it filled the land. The hills were covered with the shadow of it, And the boughs thereof were like the goodly cedars. She sent out her boughs unto the sea, And her branches unto the river.
Seite 86 - Yet he was kind; or, if severe in aught, The love he bore to learning was in fault; The village all declared how much he knew; 'Twas certain he could write, and cipher too; Lands he could measure, terms and tides presage, And even the story ran that he could gauge...
Seite 33 - Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison...
Seite 231 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too.
Seite 35 - By saint, by savage, and by sage, Jehovah, Jove, or Lord ! Thou great first Cause, least understood, Who all my sense confined To know but this, that Thou art good, And that myself am blind ; Yet gave me, in this dark estate, To see the good from ill ; And binding nature fast in fate, Left free the human will.
Seite 109 - The ice was here, the ice was there, The ice was all around: It cracked and growled, and roared and howled, Like noises in a swound!
Seite 232 - Catiline. But he has done his robberies so openly that one may see he fears not to be taxed by any law. He invades authors like a monarch; and what would be theft in other poets is only victory in him.
Seite 238 - I passed some time in the contemplation of this wonderful structure, and the great variety of objects which it presented. My heart was filled with a deep melancholy to see several dropping unexpectedly in the midst of mirth and jollity, and catching at everything that stood by them to save themselves.
Seite 87 - To sit on rocks, to muse o'er flood and fell, To slowly trace the forest's shady scene, Where things that own not man's dominion dwell, And mortal foot hath ne'er or rarely been ; To climb the trackless mountain all unseen, With the wild flock that never needs a fold ; Alone o'er steeps and foaming falls to lean ; This is not solitude ; 'tis but to hold Converse with Nature's charms, and view her stores unroll'd.
Seite 144 - Our two souls, therefore, which are one, Though I must go, endure not yet A breach, but an expansion, Like gold to airy thinness beat. If they be two, they are two so As stiff twin compasses are two ; Thy soul, the fixed foot, makes no show To move, but doth, if th