The Mirror of Taste, and Dramatic Censor, Band 11810 A drama is appended to each number of v. 1-2 |
Im Buch
Ergebnisse 1-5 von 76
Seite 8
... spirits are always as light , a song by Ana- creon Moore Musical performance , expectation " Irish of a grand one N Nokes , comedian O'Kelly's horse Dungannon New - York reviewers impeached 505 don , by A. Murphy , 126 - Duck shooting ...
... spirits are always as light , a song by Ana- creon Moore Musical performance , expectation " Irish of a grand one N Nokes , comedian O'Kelly's horse Dungannon New - York reviewers impeached 505 don , by A. Murphy , 126 - Duck shooting ...
Seite 27
... spirits , the aspiring temper , and the resolute intrepidity , which impel them to the stage and support them under its difficulties , are generally associated with an eccentricity of character and a giddy disregard of prudential ...
... spirits , the aspiring temper , and the resolute intrepidity , which impel them to the stage and support them under its difficulties , are generally associated with an eccentricity of character and a giddy disregard of prudential ...
Seite 30
... spirit , which , though it be a virtue of the highest order when kept under the control of discretion , does , like every other virtue , degenerate into a foible , when carried to excess . Fortunately for that member of doctor Cooper's ...
... spirit , which , though it be a virtue of the highest order when kept under the control of discretion , does , like every other virtue , degenerate into a foible , when carried to excess . Fortunately for that member of doctor Cooper's ...
Seite 34
... spirit forward in its career with increased impetuosity . Disappointed and chagrined , but not humiliated , he re- turned back to London , more determinately than ever re- solved to persevere till he had mastered fortune and esta ...
... spirit forward in its career with increased impetuosity . Disappointed and chagrined , but not humiliated , he re- turned back to London , more determinately than ever re- solved to persevere till he had mastered fortune and esta ...
Seite 35
... spirits learned in human dealings " of our hero's patrons , they had self - sufficiency and obstinacy in abundance , and what was more unfortunate , they had the power in their hands ; a power which in such persons is rarely softened in ...
... spirits learned in human dealings " of our hero's patrons , they had self - sufficiency and obstinacy in abundance , and what was more unfortunate , they had the power in their hands ; a power which in such persons is rarely softened in ...
Inhalt
5 | |
9 | |
24 | |
49 | |
59 | |
109 | |
141 | |
161 | |
267 | |
268 | |
269 | |
298 | |
307 | |
315 | |
328 | |
337 | |
164 | |
173 | |
183 | |
188 | |
189 | |
220 | |
235 | |
241 | |
257 | |
262 | |
349 | |
368 | |
410 | |
414 | |
431 | |
438 | |
447 | |
493 | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actor admiration Æschylus appeared applause Aristophanes Ashburton audience backsword Barry beauty Betterton Billy Taylor called celebrated character Colley Cibber comedy Cooper Covent Garden critic death delight doctor Johnson duke effect England Euripides excellent fame farce favour favourite feelings Garrick genius gentleman give Hamlet hand head heard heart Hodgkinson honour judgment Julius Cæsar Kemble kind labour lady lived Livius Andronicus Llanymynech London Macbeth Macklin manager Master Payne Menander ment merit mind moral multitude muse nature never night observed occasion opinion Othello Pacuvius passion performance person piece play players poet poetry possessed powers praise racter reader respect says scene seen Shakspeare song soon Sophocles speak spirit stage talents taste theatre thee Thespis thing thought tion tragedy truth virtue voice Voltaire whole words writer young youth
Beliebte Passagen
Seite 417 - O mighty Caesar ! dost thou lie so low ? Are all thy conquests, glories, triumphs, spoils, Shrunk to this little measure?
Seite 390 - Why should a dog, a horse, a rat, have life, And thou no breath at all ? Thou'lt come no more. Never, never, never, never, never ! — Pray you undo this button : thank you, sir. — Do you see this? Look on her, — look, — her lips,— Look there, look there ! — [He dies.
Seite 342 - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Seite 389 - Her voice was ever soft, Gentle, and low- an excellent thing in woman.
Seite 389 - I'd use them so That heaven's vault should crack. — She's gone for ever. — I know when one is dead, and when one lives; She's dead as earth. — Lend me a looking-glass ; If that her breath will mist or stain the stone. Why, then she lives.
Seite 81 - And the heart that is soonest awake to the flowers, Is always the first to be touched by the thorns.
Seite 146 - Then, having show'd his wounds, he'd sit him down, And all the live-long day discourse of war. To help my fancy, in the smooth green turf He cut the figures of the marshal! 'd hosts ; Describ'd the motions, and explain'd the use Of the deep column, and the lengthen'd line, The square, the crescent, and the phalanx firm: For all that Saracen or Christian knew Of war's vast art, was to this hermit known.
Seite 299 - A fixed figure for the time of scorn To point his slow unmoving finger at ! Yet could I bear that too ; well, very well : But there, where I have garner'd up my heart, Where either I must live, or bear no life...
Seite 388 - A play in which the wicked prosper, and the virtuous miscarry, may doubtless be good, because it is a just representation of the common events of human life : but since all reasonable beings naturally love justice, I cannot easily be persuaded, that the observation of justice makes a play worse; or, that if other excellencies are equal, the audience will not always rise better pleased from the final triumph of persecuted virtue.
Seite 132 - Pity it is that the momentary beauties, flowing from an harmonious elocution, cannot, like those of poetry, be their own record! — that the animated graces of the player can live no longer than the instant breath and motion that present them, or at best can but faintly glimmer through the memory or imperfect attestation of a few surviving spectators!