Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 186
... Agincourt may be from the standpoint of the audience , Shakespeare takes unusual pains to assure us that from Harry's perspective there are no guarantees whatsoever . God will bring no legions to Agincourt in support of the beleaguered ...
... Agincourt may be from the standpoint of the audience , Shakespeare takes unusual pains to assure us that from Harry's perspective there are no guarantees whatsoever . God will bring no legions to Agincourt in support of the beleaguered ...
Seite 188
... Agincourt , earning God's endorsement in the pro- cess . The divine and temporal dimensions of royal authority thus coalesce in English kingship as they have not done since before Richard's time . And , we must add , as they will not do ...
... Agincourt , earning God's endorsement in the pro- cess . The divine and temporal dimensions of royal authority thus coalesce in English kingship as they have not done since before Richard's time . And , we must add , as they will not do ...
Seite 236
... Agincourt speech from the Harfleur speech is its insistence that the whole English army is a single brotherhood . Before Harfleur Henry addresses each social rank separately , speaking first to ' you noble English ' , and only eight ...
... Agincourt speech from the Harfleur speech is its insistence that the whole English army is a single brotherhood . Before Harfleur Henry addresses each social rank separately , speaking first to ' you noble English ' , and only eight ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words