Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 59
... Aufidius the Volscian , enters his house in disguise , and with his head " muffled " . This is from the source . But new is Coriolanus ' dialogue with the servants , and with Aufidius when he is sent for : Aufidius . ... Thy name ? Why ...
... Aufidius the Volscian , enters his house in disguise , and with his head " muffled " . This is from the source . But new is Coriolanus ' dialogue with the servants , and with Aufidius when he is sent for : Aufidius . ... Thy name ? Why ...
Seite 95
... Aufidius ( and Shakespeare ) adds : So our virtues Lie in th ' interpretation of the time . Now that , in one and a half lines , gives the essence of the play . Run over the whole action , act by act , and each is seen as an ' estimate ...
... Aufidius ( and Shakespeare ) adds : So our virtues Lie in th ' interpretation of the time . Now that , in one and a half lines , gives the essence of the play . Run over the whole action , act by act , and each is seen as an ' estimate ...
Seite 147
... Aufidius : The blood I drop is rather physical Than dangerous to me . To Aufidius thus I will appear , and fight . ( I. v . 18-20 ) The intensity of Coriolanus ' attachment to his rival expresses itself through opposition : Were half to ...
... Aufidius : The blood I drop is rather physical Than dangerous to me . To Aufidius thus I will appear , and fight . ( I. v . 18-20 ) The intensity of Coriolanus ' attachment to his rival expresses itself through opposition : Were half to ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words