Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 323
... Brutus's dream , while not formally utopian , is much the same . Yet Brutus knows that he has no personal reason to destroy Caesar , and even " the general " reason is some- what shaky , for Caesar has not yet proved himself a tyrant ...
... Brutus's dream , while not formally utopian , is much the same . Yet Brutus knows that he has no personal reason to destroy Caesar , and even " the general " reason is some- what shaky , for Caesar has not yet proved himself a tyrant ...
Seite 335
... Brutus seem barely to hear or to speak to one another . In the first part of the scene ( to line 88 ) , they essay one another , Cassius trying both to ascertain Brutus's feelings and to persuade him of his own point of view , without ...
... Brutus seem barely to hear or to speak to one another . In the first part of the scene ( to line 88 ) , they essay one another , Cassius trying both to ascertain Brutus's feelings and to persuade him of his own point of view , without ...
Seite 336
... Brutus's conception of himself , determining the way he experi- ences himself and reality . The most important of these is " honor . " Honor words are used so frequently by Brutus or with reference to him that they become , as Charney ...
... Brutus's conception of himself , determining the way he experi- ences himself and reality . The most important of these is " honor . " Honor words are used so frequently by Brutus or with reference to him that they become , as Charney ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words