Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 183
... Harry the man is now kept private , suppressed in favor of Harry the king , who is nearly always on public display . In keeping with the theme of unity , the private man is subsumed by the public of- fice . As for his motives , they are ...
... Harry the man is now kept private , suppressed in favor of Harry the king , who is nearly always on public display . In keeping with the theme of unity , the private man is subsumed by the public of- fice . As for his motives , they are ...
Seite 186
... Harry's quasi - fallen royalty . If the king cannot claim to speak for God as His appointed agent , he had better speak to Him as His devoted appellant . Harry's speech on Ceremony and his prayer to the God of battles have no effect ...
... Harry's quasi - fallen royalty . If the king cannot claim to speak for God as His appointed agent , he had better speak to Him as His devoted appellant . Harry's speech on Ceremony and his prayer to the God of battles have no effect ...
Seite 191
... Harry's speech accomplishes its rhetorical aims : it works . His stumbling French in the wooing scene reminds us ... Harry has made the King's English a compos- ite of the speech of all England . As a result , the easy synecdoche by ...
... Harry's speech accomplishes its rhetorical aims : it works . His stumbling French in the wooing scene reminds us ... Harry has made the King's English a compos- ite of the speech of all England . As a result , the easy synecdoche by ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words