Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 79
... Macbeth and Antony and Cleopatra . All three focus on soldier heroes and are studies in the relation of personal pow- er to political authority ; in all three masculine heroism is partially defined by a female vision of it . Coriola ...
... Macbeth and Antony and Cleopatra . All three focus on soldier heroes and are studies in the relation of personal pow- er to political authority ; in all three masculine heroism is partially defined by a female vision of it . Coriola ...
Seite 85
... Macbeth's lines are a conscious exercise in horror , a terrorist tactic for herself as well as for Macbeth . The violence of the will is felt as profoundly unnatural , and not only as it offends the principle of maternal femininity ...
... Macbeth's lines are a conscious exercise in horror , a terrorist tactic for herself as well as for Macbeth . The violence of the will is felt as profoundly unnatural , and not only as it offends the principle of maternal femininity ...
Seite 145
... Macbeth pursue a more rigidly defined ideal of masculinity in which male rivalries predominate . These plays , struc- tured by the assumption that masculine identity con- sists primarily in inflicting wounds on one's rival , inevitably ...
... Macbeth pursue a more rigidly defined ideal of masculinity in which male rivalries predominate . These plays , struc- tured by the assumption that masculine identity con- sists primarily in inflicting wounds on one's rival , inevitably ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words